From director Quinn Shephard comes the story of Danni Sanders (Zoey Deutch), an aspiring writer whose life is going nowhere fast. In order to boost her social media following, she decides to fake a trip to Paris. When a terrorist attack strikes while she is supposedly aboard, Danni’s lie takes on a world of its own. Suddenly everyone wants to be her friend, including influencer and trauma survivor Rowan (Mia Isaac), and her crush Colin (Dylan O’Brien) is showing interest in her. Danni’s newfound fame, however, is not all its cracked up to be.
I love everything and anything that Zoey Deutch touches. She tends to star in more offbeat films which I have always admired. I remember when I first heard about Not Okay. While Deutch once again knocked it out of the park, I have to say that because I had such high expectations, they weren’t exactly met.
What I did enjoy was the way in which social media was depicted throughout. I found myself nodding along to certain moments and cringing at others over how realistic it was to see Danni so reliant on her Instagram followers. I also thought it was a bold choice not to go with a happy ending; life doesn’t always tie everything together so neatly in a bow after all.
Unfortunately there were times when the pacing was slow and not much was happening. I also can’t say I liked any of the characters. While we were warned of Danni’s awful ways in the beginning, I still didn’t know how to feel about her. I also couldn’t get on board with O’Brien’s Colin who came across as a vapid fuckboy. If I had to choose, I’d say Rowan was the most tolerable because at least she was being true to herself from the beginning.
At the end of the day, I have to say that I expected more from Not Okay. I guess I should have known better. I built it up in my head for too long and ended up feeling slightly disappointed as a result.
Known by others as ‘Marsh Girl’, Kya Clark (Daisy Edgar-Jones) was abandoned by her family as a child and had to grow up quickly as a result. When she comes across two young men (Taylor John Smith and Harris Dickinson) over the span of her life, she opens herself up to a world she never knew possible. But as one of them turns up dead, all fingers point are pointing at Kya.
Where The Crawdads Sing is based on the 2018 best seller by Delia Owens. Now considered to be quite controversial due to the author’s involvement in a real life murder case, there has been a lot of negative talk about the movie. That being said, I still wanted to see it as I did enjoy the novel and Reese Witherspoon’s production company was behind its creation.
The first thing that struck me about this movie was the way in which it was filmed. The locations, for starters, were absolutely breathtaking. I loved the aerial shots of the marshes and those of the various wildlife. It’s almost as if the marsh was its own individual character; it wasn’t at the forefront of the film, but you never forgot about it.
A simple story about a girl who just wants to find her place in the world, Daisy Edgar-Jones’s performance as Kya was outstanding. The vulnerability and simplicity that she brought to the role took my breath away. Every time I see her in something new, I am constantly impressed by her acting chops and can’t wait to see what she does next. As for her gentlemen counterparts, I preferred John Smith’s character more than Dickinson’s, though I suppose that is the point. I also enjoyed David Strathairn as Tom Milton, Michael Hyatt as Mabel and Sterling Macer Jr. as Jumpin’ all of who the film would not be complete without.
With major To Kill A Mockingbird vibes, Where The Crawdads Sing was a book to movie adaption that I have to admit was well executed. The main plot points were included and the few changes added made sense. This is the type of story that will sit with you long after you experience it and I know I’ll be playing Carolina by Taylor Swift on replay as a result.
After uncovering top secret agency secrets from the CIA, agent Six (Ryan Gosling) finds himself on the run. With the help of Dani Miranda (Ana De Armas), he must escape time and time again from former agent Lloyd Hansen (Chris Evans) who will stop at nothing until Six is dead.
Once upon a time, I used to look forward to action movies. They aren’t my favorite genre by any means, but as long as there is a good balance between the fight sequences, explosions and the overall storyline, I can usually get behind them. Unfortunately I cannot say that The Gray Man falls into this category. I was excited for this one too as it was set up by Netflix to be the next big summer blockbuster. Alas, it fell short.
The only good part about the film was a few of the cast members. I couldn’t even tell you the last time I saw Ryan Gosling in anything, so it was refreshing to have him back on my screen. I also loved seeing Ana De Armas again, who always brings her A game. While the movie boasted other large names such as Alfre Woodard, Regé-Jean Page, Billy Bob Thornton and Chris Evans, I have to say that they delivered less than stellar performances. I was stoked to hear that Page, Netflix protégé, was cast in something after Bridgerton. His scenes were lacklustre and his accent pretty terrible. And then there was Evans, who I am beginning to think is taking after Ryan Reynolds in that he plays himself. I liked seeing him portray a villain, although he was over the top and whiny. And what was up with that moustache?
I wish I could say the action itself was entertaining, but that would be a lie. There was way too much CGI and the fight scenes were repetitive, they just took place in different locations. I understand the purpose behind it and maybe it’s some people’s cup of tea. It just wasn’t mine. I wish there’d been more beef behind the scenes to make me care more about what was happening.
While The Gray Man seemed to be so very promising, I was massively let down by its execution. Sometimes, watching a movie for its stars is just not enough for me anymore.
Anne Elliot (Dakota Johnson) has always been underestimated by her father Walter Elliot (Richard E. Grant) and sister Elizabeth (Yolanda Kettle). Believing they know best, they persuaded her not to marry the love of her life, Captain Frederick Wentworth, eight years ago. When Wentworth comes back into Anne’s life, however, sparks the internal struggle of moving forward with her life or giving him a second chance.
Loosely based off of Jane Austen’s final novel Persuasion, this adaption has sparked controversy with die hard fans. Over the years, there have been various versions of Austen’s work, particularly when it comes to Pride and Prejudice, Emma and Sense and Sensibility. While some have closely followed the source material (the Keira Knightley version of the former from 2005 rings a bell), others were a more modernized retelling (the now classic Clueless).
I, for one, was very much looking forward to this new version. I knew going into it that Netflix was giving it a new life and that was a welcome change. I liked the updated script and the fact that Anne interacted with the audience. It kept me totally invested in what was happening and like I was a part of the story too.
Dakota Johnson shined in the role of our protagonist. Her honesty and vulnerability was refreshing to watch. Another exceptional performance came from Mia McKenna-Bruce who played Anne’s younger sister Mary. Her spoiled brat ways could have come across as cringy but instead was anything but. I only wish the same could be said for the male leads. Cosmo Jarvis was fine, though nothing extraordinarily memorable and I wish we’d had more time with Henry Golding’s Mr. Elliot. He was brought it way too late in the game I almost didn’t see the point.
An Austen fan through and through, I was perfectly content with this new version of Persuasion. While it has been ages since I read the book, I was happy with it’s make over. It had everything I could have wanted: longing stares, witty banter, beautiful landscapes and stunning costumes that made me seriously question whether or not I was born in the correct century. Don’t let the negativity deter you – give this one a go!
Our favorite God of Thunder is back in the latest instalment of the Marvel Cinematic Universe. Bidding farewell to the Guardians of the Galaxy, Thor (Chris Hemsworth) turns his attention to a new foe – Gorr the God Butcher (Christian Bale). With the help of King Valkyrie (Tessa Thompson), Korg (Taika Waititi) and ex girlfriend Dr. Jane Foster (Natalie Portman), they embark on an adventure of a lifetime.
The Thor movies have always been my favorites in the MCU. I think I like them so much because they tend not to take themselves too seriously and you know what what to expect. The newest addition boasted just that and I couldn’t wait to see what was in store.
I know I’m in the minority here, but I thoroughly enjoyed this movie. With a vibrant color palette and a killer soundtrack, I felt like I was sucked into a cosmic universe. While I understand why people prefer a longer run time, I have to say that I prefer them shorter. My attention span isn’t what it used to be, so that was rather appreciated.
Gorr as a villain was brilliant. Bale’s portrayal was scary and haunting to the point where I wouldn’t want to see him standing over my bed in the middle of the night. The reintroduction of Jane was great as well and I loved seeing her become Mighty Thor. I only wish we’d had more scenes with both characters.
Overall, Thor: Love and Thunder was just what I was in the mood for. Wacky humor, crazy scenarios and out of this world fun. I cannot wait to see what will happen next.
When a princess (Joey King) refuses to marry evil sociopath Julius (Dominic Cooper), she is kidnapped by his henchmen and locked in one of the towers of her father’s castle. As Julius plans on taking over the kingdom, the Princess must escape and save her people before it’s too late.
Hulu’s The Princess is an over the top action movie, so if that isn’t your thing, then I would stay clear. There isn’t much to the plot; instead the story moves forward with one fight sequence after another. Some of these are rather gory and can seem repetitive, but I have to commend Joey King for giving it her all here. As someone who has always wanted to star in an action flick, not only does she perform the majority of her stunts, she does them well too.
As for the rest of the cast, it was fun to see Dominic Cooper in the role of a bad guy. It seemed as if he was having a fun time with it. Other honorable mentions go to Olga Kurylenko as Julius’s accomplice Moira. She was completely ruthless. I also enjoyed the additions of Kristofer Kamiyasu as Khai and Veronica Ngo as Linh, both of who were important in The Princess’s combat training.
Overall, The Princess is an entertaining enough romp perfect to indulge in on a Sunday afternoon. The girl power atmosphere heightens the overall experience, but aside from that, it falls short.