Wolfs

When Margaret (Amy Ryan) finds herself in a delicate situation, she calls a fixer (George Clooney) to come and cover it up. But then another fixer (Brad Pitt) shows up and the two realize that they need to work together. The night spirals out of control in more ways than one.

The big selling point here is the team up of old time pals Clooney and Pitt. Their real life friendship truly shines through. The banter between them as rivals is whip smart and snappy; I found myself chuckling along at various intervals. I liked how their characters started off seemingly so different from one another, but as time goes on, you realize that they are actually quite similar.

In regards to the supporting cast, Ryan does a good job at setting the scene though she disappears shortly thereafter. Austin Abrams helps kick things up a notch with his rather integral role. I feel like the action doesn’t really start until his character comes into play. I remember seeing him get his start in Euphoria so the fact that he is now starring along side two of the greatest actors of our generation is impressive. Poorna Jagannathan was also a welcome addition as June, a lady who works with both of the fixers.

Unfortunately the film doesn’t have much by means of plot. It takes a while to get going as it really needs to set it all up. The chase sequences and fight scenes are chaotic and entertaining, especially the one that takes place in the final act. With that being said, I think I may have missed the overall point.

Wolfs is your typical run of the mill action caper that does very little to break the mold. It excels thanks to its two lead stars who help drive the film forward in every single way. Not bad for Sunday afternoon viewing, but not entirely memorable either.

Rating: ♥️♥️♥️

My Old Ass

Elliot (Maisy Stella) has always felt like a big fish in a small pond. She can’t wait to get out of Muskoka and stat over again at university in Toronto. When she and her friends Ruthie (Maddie Ziegler) and Ro (Kerrice Brooks) trip out on shrooms, Elliot comes face to face with her thirty nine year old self (Aubrey Plaza). Older Elliot comes with some warnings that will completely alter everything younger Elliot thought she knew.

Over the years there have been many coming of age films. Lady Bird, Eighth Grade and Perks of Being a Wallflower all walked so that My Old Ass could run. I wish there was something like this around when I was growing up. Turns out it still had an impact on me now.

I first saw Stella in 2012’s Nashville. After some time away from the spotlight, she’s back and better than ever. She brought so much charm and charisma to the role and was so extremely relatable. I’m really looking forward to seeing what she does next. Plaza, on the other hand, was not who I would have thought for Stella’s older counterpart, but it worked. I really enjoyed their scenes together and thought that they had a natural chemistry.

This film was so completely Canadian and I loved that aspect so much. Being able to experience cottage country again in its full form was pure joy. The beautiful Muskoka lake, the little islands scattered around it and puttering around on a motorboat brought me back to the various summers that I spent in an area not too far away from there. I also appreciated the fact that they casted some proper Canadian talent too.

I had a feeling that I would love My Old Ass, but I wasn’t prepared for just how much. Director Megan Park truly understands the minds of young adults. There were so many moments where I felt sucker punched with how real it all was. It gave me a lot to think about and I love it when a film does that. I highly recommend checking this one out!

Rating: ♥️♥️♥️♥️♥️

His Three Daughters

Three estranged sisters come together in the last days of their father’s life. They couldn’t be more different: Katie (Carrie Coon) who has been struggling to get through to her teenage daughter, Christina (Elizabeth Olsen) who is away from her child for the first time and Rachel (Natasha Lyonne) who has never left the apartment she shares with her dad. Being in such close quarters for the first time in years will surely bring up all sorts of emotions.

I always like it when a film takes place in one location. It makes me feel like I’m watching a play. Not only that, but it really makes the overall atmosphere more intimate than usual because its focus is on a few select players. The father’s apartment holds a different meaning for each of the sisters though that doesn’t make it any less important. The only time the setting shifts is when we see the park and that in itself just feels like an extension.

Each actor delivers an impressive performance. They know these characters well and the way in which they work off each other was enjoyable to watch. Coon drove me crazy at times with her controlling ways, but I could also emphasize because as the eldest daughter she obviously felt like she had the most responsibility. Olsen was the peacemaker; I appreciated her efforts to mend the bridge between Coon’s Katie and Lyonne’s Rachel. Speaking of Lyonne, I’ve never seen her in such a role before. Her fear of a life without her father was so relatable. I think she was my favorite.

One of the downfalls for me was that sometimes the arguments would be solved too quickly. I would have liked more time in between for the dust to settle. I do understand these time constraints, however. In addition, there was a choice made in the final act that I didn’t completely agree with. It would have been more impactful if they had left it out entirely.

Overall, His Three Daughters was a realistic depiction of a family going through tragedy. With plenty of dramatic moments, there were also had some hopeful ones that perfectly balanced everything out. I’m not sure if it’s a film I’ll be revisiting anytime soon, but it is one that I’m glad I watched.

Rating: ♥️♥️♥️

Beetlejuice Beetlejuice

It’s been thirty six years, but everyone’s favorite poltergeist is back in Beetlejuice Beetlejuice. When tragedy strikes the Deetz family, Lydia (Wynona Ryder), Delia (Catherine O’Hara) and Astrid (Jenna Ortega) are forced to return to Winter River. Lydia, who has been trying to move away from her past, is still haunted by Beetlejuice (Michael Keaton) all these years later.

I’m a fairly new fan of Beetlejuice, having only seen the original for the first time a year ago. It was one of those films that instantly captured my heart and made me fall for the campiness and charm. The hype surrounding this much anticipated sequel directed by Tim Burton was at an all time high and I couldn’t wait to see it for myself.

Right from the opening credits, the audience are sucked back into this world. Catching up with the characters we got to know and love from the first film was a treat while getting to know some new faces. Lydia is exactly how I pictured she would be as a mom. Ryder does such an amazing job with this character and she always has. She was hands down the heart and soul of the film. O’Hara was certainly the scene stealer as Delia; her one liners had me in stitches all the way through and I could’t believe the antics she kept getting up to. Ortega was a welcome addition to the group though it felt like she’d been there all along. And who could forget Beetlejuice himself? Keaton once again smashes it as the titular character delivering an unforgettable performance.

While the sequel had the same look and feel as its predecessor, I could’t help but feel like there was too much going on. Some of the storylines I really enjoyed, like Lydia and Astrid reconnecting and Beetlejuice’s reunion with the Deetzes. However, there were others that I could have done without. Monica Belluci’s plot as Beetlejuice’s ex wife Delores seemed like an afterthought. We didn’t have enough time to really get to know her which was a pity because she had definite potential. Similarly it would have been nice to have more backstory on Astrid’s dad Richard (Santiago Cabrera) instead of Rory (Justin Theroux) who was rather annoying as Lydia’s producer and boyfriend. Willem Dafoe didn’t bother me so much because Wolf Jackson was amusing, but I did find myself missing a cameo from the Maitlands.

Beetlejuice Beetlejuice may not have been really necessary, but I think die hard fans of the franchise will still have a lot of fun with it. It is the perfect foray into spooky season and was true delight to be reunited with these iconic characters. I know I’ll be adding it to my annual Halloween roaster.

Rating: ♥️♥️♥️.5