Month: October 2024

Time Cut

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Four students were murdered twenty years ago. Lucy’s (Madison Bailey) sister Summer (Antonia Gentry) was one of them. While she’s always tried to forge her own path, it’s clear that Lucy will never fill the void that Summer left behind. When she accidentally time travels, she has the chance to get to know the sister she never had. But uncovering the decades long mystery becomes difficult for if Lucy alters the timeline, she will cease to exist.

If you saw Prime’s Totally Killer from last year, then you know more or less what to expect from this film. The similarities are endless, but what I really enjoyed about Time Cut was the time period in which it was set. Being transported back to 2003 was such a nostalgia trip. Reliving the velour sweatsuits, platform flip flops, French tips and initial necklaces had me feeling like a preteen again. Throw in a banger of a soundtrack with tracks such as So Yesterday by Hilary Duff, Complicated by Avril Lavigne and All You Wanted by Michelle Branch and my heart was soaring.

The cast did a good job in their respective roles. I’ve been a fan of Bailey’s since the early days of Outer Banks and I am familiar with Gentry thanks to Ginny and Georgia. Seeing the two of them team up and as sisters was enjoyable. I felt like they had a natural chemistry. Griffin Gluck, who portrayed Quinn, was a welcome addition. I like how he helped the sisters track down the killer.

Though the film started off on the right foot, it seemed to lose its way around the midpoint mark. It started with a dip in which some scientific jargon had to be explained and then it didn’t really bounce back afterwards. I did have an inkling as to who the killer was and though I was proven right, it wasn’t in the way that I was expecting. The twist was certainly different, but ultimately confusing and could have been explained better.

Overall Time Cut is a fun little slasher flick that is perfect for this time of the year. I would have liked for it to be a bit more fleshed out and with some more gruesome kills, but the nostalgia trip alone made it worth watching.

Rating: ♥️♥️♥️

Venom: The Last Dance

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In the final instalment of the Venom trilogy, Eddie Brock and Venom (Tom Hardy) find themselves on the run. The world is convinced that Eddie is a murderer while Venom is being hunted. The symbiotic alien has something that a new foe wants and they will stop at nothing to get it – even if it means devastating circumstances for the duo.

One would expect the last film in a franchise to go out with a bang. Unfortunately I can’t really say that that was the case. The storyline was all over the place and didn’t always make sense. There were three different ones going on at the same time. When they came together, only two of them really came together. I didn’t think the other was needed. It took a really long time for anything exciting to happen too. Luckily it paid off in the final act.

Hardy makes this worth watching. You can tell that he’s had such a blast in both these roles. He always gives it one hundred and ten per cent and I will miss the unconventional friendship that was formed between Eddie and Venom. I do think that the rest of the cast were underused though. I was excited when I discovered that Juno Temple was attached to the project. Her character of Dr. Teddy Paine had potential, but we didn’t really get to see her take off. I feel like the same happened with Chiwetel Ejiofer’s Strickland and Rhys Ifan’s Martin. They were side characters who never had the chance to shine.

The Venom franchise is one that has never been high on the list of Marvel fans’ favorites. I personally have always found them to be a ton of fun. They don’t take themselves seriously which is refreshing and it doesn’t take a lot to understand what’s going on. While Venom: The Last Dance could have been a much stronger send off, I am glad that we got to see Eddie and Venom one last time.

Rating: ♥️♥️.5

The Wild Robot

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Dreamworks has been responsible for the release of many classic films. From Shrek to Madagascar and Kung Fu Panda, they have all been unique and full of vibrant animation. Their latest offering, The Wild Robot, follows ROZZUM unit 7134, or Roz (Lupita Nyong’o), that finds itself stranded on a deserted island. It must learn to adapt to its surroundings.

Animation styles have changed a lot over the years, but I have to say I have never seen anything quite like this before. The island backdrop looked like something out of a painting. It’s like you could see the brushstrokes of the water or of the trees. That combined with the vibrant colors made it feel so realistic.

The various characters we meet had sparkling personalities that leapt off the screen. Nyong’o was the perfect choice for Roz. The way in which her voice changed from being unsure to more confident as the film went on was executed well. Pedro Pascal was Fink, a cunning fox who ends up befriending Roz. His playful tone balanced Roz’s uncertainty and I really liked the friendship that formed between them. Kit Conner was Brightbill, a gosling that hatches in Roz’s hands and immediately believes it to be his mother. From the moment they met, my heart soared; they had such a sweet, genuine relationship that I really loved watching. And of course there was Bill Nighy as Longneck who played an integral part in Roz’s task. As usual he was full of wisdom. I only wish we’d had more of him!

When I first saw the trailer for this film, I’ll admit that I wasn’t interested in it. When the reviews started coming in and they were all glowing, I knew I had to see what all the fuss was about. This is officially my favorite film of the year. It ripped my heart out of my chest and stomped on it repeatedly, but I mean that in the best way possible! The way in which it was able to go from a light-hearted moment to something more emotionally driven was brilliant. The message of tolerance and unity as well was so spot on and so, so important.

I highly recommend checking out The Wild Robot. This is the type of film that touches you and leaves an impact long after you leave the theatre. It is also one that makes you want to be do better. I can’t wait to see it sweep at Awards season.

Rating: ♥️♥️♥️♥️♥️

Woman Of The Hour

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Based on a true story, Cheryl Bradshaw (Anna Kendrick) is an aspiring actress who goes on the matchmaking TV show The Dating Game. Rodney Alcala (Daniel Zovatto), also known as bachelor number three, is the lucky winner. What nobody knows is that Alcala is a serial killer responsible for the death of many women.

I remember hearing about this ages ago so the fact that it is now out for the world to see is a treat. Kendrick, who not only stars in the film, also directs for the first time. I have to say that I was very impressed; the way in which she approached the subject matter was perfect. I can’t wait to see what else she ends up working on behind the camera in the hopefully near future.

The acting on display is nothing short of brilliant. Kendrick aside, we have Zovatto who was so amazingly creepy that I was very much convinced with his performance. He made you want to know more about him. Not only that, he was very charming and easily manipulative towards the women we see him come in contact with. I do wish we’d had more backstory about why he was the way he was though. The supporting cast of Tony Hale as Ed, the TV show host, Nicolette Robinson as Laura, a woman who had a previous brush with Alcala, and the various victims we were introduced to were all great additions. It was Autumn Best, however, whose portrayal of Amy, was pivotal to the story. The final act of the film had me on the edge of my seat.

Another aspect that I appreciated was the combination of pure seriousness one moment and the sudden change to something more light and comedic. I would be holding my breath during those tough scenes and then I would have to recalibrate my brain and shift gears. I truly believe that The Dating Game sequences are the best of the film, with great writing to boot.

Overall, Woman of the Hour was a captivating experience. I went into the film not knowing anything about it and found myself completely enthralled with what was unfolding in front of me. I hadn’t know anything about Rodney Alacala until that moment and learning about how horrible he was was eye opening. I recommend giving this one a go.

Rating: ♥️♥️♥️.5

Joker: Folie À Deux

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Todd Phillip’s 2019 version of Joker was so successful, it came as no surprise when a sequel was announced. Arthur Fleck (Joaquin Phoenix) is waiting for trial in Arkham for the crimes he committed. He meets Harleen “Lee” Quinzel (Lady Gaga) and the two form a bond unlike any other.

I was so much looking forward to this film. The original was one of the best I have ever seen from DC that I just wanted more. I’m so sad to say that this was just awful. None of it worked and I kept scratching my head in complete disbelief as to what was unfolding in front of me. It’s like Phillips took everything that made the original so great and tore it apart bit by bit until there was nothing left.

While I was initially unsure of the musical aspects, I tried to keep an open mind. Most of these sequences taker place in Arthur’s mind so I can understand why they were implemented. I don’t think it did much to strengthen the plot. It wouldn’t have made much of a difference if they were there or not. At least we know that Phoenix and Gaga can carry a tune.

Speaking of our leads, Phoenix is once again brilliant as our troubled Arthur. You never really know if you’re supposed to be rooting for him. He keeps you fascinated though whether or not he’s himself or Joker. I wanted to like Gaga’s version of Harley, or Lee, as she goes by here, but unfortunately I wasn’t sold. Nothing against her whatsoever as an actress, but I didn’t feel like her character really went anywhere. Luckily the supporting cast of Brendan Gleeson as cop Jackie Sullivan, Catherine Keener as Arthur’s lawyer Maryanne Stewart and Harry Lawtey as lawyer Harvey Dent helped elevate things.

There were a lot of bold choices made throughout. The opening sequence for starters was something I certainly wasn’t expecting. I felt like the courtroom scenes became drawn out and slow and then when the third act came about, it all just kind of jumbled together. There was no flow. I kept waiting for it to all fall into place, but it never did.

I know that everything has a sequel or a reboot these days, but Joker: Folie À Deux is one that never should have happened. It ruined everything it had going for it in the first one and made it into something unrecognizable. Even the acting couldn’t save it. This is probably the worst film I have seen so far this year and that just makes me so sad to say.

Rating: ♥️.5