The Thursday Murder Club

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Based upon Richard Osman’s 2020 novel of the same name, The Thursday Murder Club follows four individuals who meet every week to try and solve cold cases. Elizabeth (Helen Mirren), Ron (Pierce Brosnan), Ibrahaim (Ben Kingsley) and Joyce (Celia Imrie) couldn’t be more different save for their love of true crime. When one of the co-owners of their retirement home is found dead, they finally have the chance to put their sleuthing skills to the test.

I did read the book shortly after it came out, but I really don’t remember it. What I do know is that I wasn’t a big fan and soon put it out of my mind. I did find my interest peaking when news of the film broke and especially with that cast. I honestly did not know what to expect going into it though I wouldn’t be surprised if me not recalling any details helped with the overall enjoyment.

Mirren, Brosnan, Kingsley and Imrie are practically British royalty. To have them star together in such an adaptation is a lot of pressure; we all know that mixing big names together doesn’t always have the desired effect. With that being said, I actually think they were perfect. Mirren helmed the film effortlessly – she was Elizabeth. There was also so much more to her character that we simply didn’t get to see so hopefully there will be more opportunities for that in the future. They all had their moments to shine, however. I do think that Kingsley and Imrie could have been a little bit more at the forefront though.

The rest of the cast was absolutely stacked as well, I can’t not mention them. Naomi Ackie is Donna, a police officer who ends up working closely with the Murder Club on the case. Tom Ellis is Jason, Ron’s son and former boxing champ. Jonathan Pryce is Elizabeth’s husband Stephen who has dementia. David Tennant is Ian, another owner of the retirement home who is into all sorts of dodgy business. And Richard E. Grant is Bobby, a mysterious man who has disappeared, but who has a specific connection to the case. I loved seeing who would pop up where and thought they all did brilliantly in their roles.

I wouldn’t be surprised if one of the reasons why I didn’t enjoy the book as much was because the mystery was more of an Agatha Christie whodunnit and not so much of an earth-shattering twist that I’m always gagged for. I didn’t mind that in the film. It made the whole atmosphere quite cozy and autumnal which is fitting considering we are soon entering the ber months. These aspects combined with the beautiful backdrop of Coopers Chase (a literal castle?!) complete with it’s stunning manicured lawns and a cemetery really just enhanced the whole experience.

Overall, I enjoyed The Thursday Murder Club more than I thought I would. I would one hundred percent be open to them adapting the other books so let’s hope that they do. This has also prompted me to revisit the book – maybe I will appreciate it more now.

Rating: ♥️♥️♥️

Sorry, Baby

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Written and directed by Eva Victor, Sorry, Baby is the story of Agnes (also Eva Victor), a New England student who lives with her best friend Lydie (Naomi Ackie) in a house in the middle of nowhere. When something bad happens to Agnes, her life is forever changed. The years that follow show how she tries to move past this horrible event.

After winning big at Sundance and hearing all the rave reviews the film has been garnering, I knew I had to check it out for myself. I went in with as little knowledge as possible and I think that only made the experience better. At the forefront it doesn’t seem like much is happening, but that couldn’t be farther from the truth.

While the story revolves around this traumatic experience, I appreciated the way in which it was dealt with. Agnes is assaulted by her PHD instructor Preston Decker (Louis Cancelmi). Victor could have chosen to show it, but instead she focused on a single shot of the house and measured the amount of time that passed through day and night. This still had a harrowing effect because you just know what is going on in that house. It’s a tough pill to swallow.

Agnes has a great support system of people around her who help her move forward. Lydie is the first point of contact after the event happens. Even when she eventually moves away, falls in love and has a baby, she still makes sure to check in on Agnes. Gavin (Lucas Hedges) is Agnes’s neighbor. The two strike up an unlikely friendship. He genuinely likes her and while their courtship starts off awkwardly, it is nice to see that she can open herself up to the potential of romance. Pete (John Carroll Lynch) is a kind stranger that just so happens to be in the right place at the right time. And I can’t forget Olga (Noochie), the cat that Agnes happens upon by chance and takes home. With each interaction, Agnes takes a few steps forward and then a couple back. There are many lows and a couple of highs and it’s quite impressive that Victor can mesh comedy and drama so well together, sometimes even in the very same scene.

Overall, Sorry, Baby is a triumph for Eva Victor. What she has created is a poignant and beautiful portrayal of something awful and how it’s important to keep living in spite of it all. This will surely hit close to home for anybody who has been in a similar situation. I hope that this film lets them know that they aren’t alone.

Rating: ♥️♥️♥️♥️♥️

Eenie Meanie

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Wrapped up in a world of getaway driving from the age of fourteen, Edie (Samara Weaving) has been trying to break the cycle ever since. When her former boss Nico (Andy Garcia) offers her the chance at pulling off one last job, she can’t say no, especially when it means saving her ex boyfriend’s (Karl Glusman) life.

Fans of Baby Driver may flock to Eenie Meanie expecting a similar story. While it never reaches the same heights, it is entertaining enough to keep you invested throughout. With the many impressive car chase sequences, hilarious banter and a talented ensemble cast I couldn’t help but wonder how it didn’t ever come together in the way I was hoping it would.

Weaving once again proves that she is a solid leading lady. Not only is she the bright spot here, she was probably the only reason I wanted to watch the film in the first place. She gives Edie so many layers and is really the driving force of the story. It’s hard for anybody else to compare. Glusman is quite something as John, Edie’s ex. Underneath it all he wants to do the right thing, but he’s just so awful that it’s hard to be reminded of that. I understand why Edie isn’t able to just cut him out of her life, but she deserved so much better. The other characters were like caricatures of heist films of the past: Jermaine Fowler as The Chaperone, Marshawn Lynch as Perm, Randall Park as Leo, Mike O’Malley as Leo and of course Andy Garcia as the ring leader of them all Nico. They were criminally underused and as a result I found it difficult to really care about any of them.

Somewhere along the way, the film starts losing sight of what it’s really trying to be. I would have been totally fine with an action adventure flick and a bit of romance on the side if it was earned. Instead it just became too convoluted. As a result, I missed out on some major plot points because I just could not separate them from one another.

Overall, Eenie Meanie had all the ingredients of a great heist film, but it ultimately fell short. Samara Weaving was the only bright point in what was otherwise a lacklustre project. Had it been much tighter and well thought out, it would have been a home run. Because of that there are definitely better films of the genre out there that are more worth your time.

Rating: ♥️♥️.5

The Map That Leads To You

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Based on the book by Joseph Monninger, The Map That Leads To You follows Heather (Madelyn Cline) who has embarked on a European adventure with her best friends Amy (Madison Thompson) and Connie (Sofia Wylie). On a train to Barcelona, she meets Jack (KJ Apa) and there is an instant connection. Jack is a free spirited soul who is visiting the various places his grandfather wrote about in his journal. Heather has always had her life planned out so when Jack asks her to extend her trip and go with him she surprises herself and says yes.

Spanning across Amsterdam, Paris, Spain and Portugal, the audience is invited along for the adventure. I loved how we actually got to see these places (particularly the latter two) and had the chance to learn about their history and culture. It made the story so much more authentic and like we were right there with instead of watching somebody else’s story unfolding in front of you.

The casting choices for the film were spot on. The friendship between the three girls was real and genuine. They were proper ride or die who would do anything for each other. I mean, banging down the door of a guy your girl hooked up with because he stole her purse is pretty impressive. Even though they went their separate ways, they would still check in regularly with one another. It was refreshing that the friendship didn’t just disappear when the romantic aspect of the film came more into focus.

Cline and Apa had an easy going and natural chemistry. From the very first moment Heather and Jack meet on the train, sparks are flying and they don’t let up for one moment. Their characters were complete opposites and yet so similar at the same time. I liked how even though they had their hurdles, it wasn’t dealt with in the way that I thought it was going to be.

I truly wasn’t expecting The Map That Leads To You to be anything special. That being said, it left me feeling rather emotional and I even cried at the end. I don’t want to say too much, but it really came together in such a nice and hopeful way and because of that, I would definitely revisit it in the near future.

Rating: ♥️♥️♥️♥️

The Life Of Chuck

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Based on the 2020 novella by Stephen King and directed by Mike Flanagan comes a life affirming story about a man called Charles “Chuck” Krantz (Tom Hiddleston, Jacob Tremblay and Benjamin Pajak). Told in backwards chronological order, we get to know Chuck through all the important moments of his life.

King and Flanagan are usually known for their various horror projects. People don’t think that they are behind other, more contemporary stories too. This was one that I went into mostly blind and I’m glad that I did. I knew that this was going to be an emotional roller coaster and in order to completely absorb it, I needed to be completely open minded.

Deciding to tell the story in reverse order was a bold choice. It won’t work for everyone and it certainly threw me off at first. As a result, the audience may think they’re watching a different film from what it actually ends up being. The pieces of the puzzle only really come together in the final act when Chuck is a child that we get all the answers. The little nuggets that help tie it together are really smart too.

The cast are absolute standouts, delivering solid performances. While Hiddleston may be the titular Chuck and features on the film’s poster, he isn’t actually featured that much. Still, his scene and the dance sequence that occurs during it is probably one of the best in all of cinematic history. Karen Gillan and Chiwetel Ejiofor are a divorced couple who spend the last day on Earth together. Mia Sara and Mark Hamill are brilliant as Chuck’s grandparents Sarah and Albie. Matthew Lillard, Rahul Kohli, Violet McGraw, Kate Siegel and Samantha Sloyan all had small but important roles in the story of Chuck’s life. It was nice to see some familiar faces from Flanagan’s previous works.

Overall, The Life of Chuck is a peculiar film that packs quite the emotional punch. The storytelling was well done and I love how it drove home the importance of appreciating the smaller moments in life because they are what truly matters. Just because the film focused on Chuck doesn’t mean he’s any more special than anybody else. He contains multitudes like we all do and that was quite something to take away.

Rating: ♥️♥️♥️♥️

Materialists

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From writer and director Celine Song comes an unconventional take on dating in the modern world. Lucy (Dakota Johnson) is a high end matchmaker who just witnessed her ninth couple getting married. At said wedding she meets the incredibly handsome and filthy rich Harry (Pedro Pascal) who is instantly smitten with her. But at the same wedding Lucy also runs into her ex boyfriend, struggling actor John (Chris Evans), and realizes that there is still a spark between them. Now she has to make an impossible choice.

If you are going into this film expecting a cute romcom, you would be mistaken. Instead what Song has given us is something so much more than that. The dating scene has changed over the years, especially with the influence of social media, and this was an interesting take on just how materialistic we’ve all become as a result.

The casting of our three leads was perfect. I could not imagine anybody else playing these characters except for Johnson, Pascal and Evans. Together they had real, organic chemistry and it was hard for me to determine who I wanted Lucy to be with more. On their own, they each portrayed a stereotype of people at different stages of their lives: Lucy at a crossroads of what she truly wants and what stage of life she thinks she should be at, Harry with an established career and stunning apartment and John dreaming of becoming an actor while living with two roommates and struggling to make ends meet.

While there was plenty of romance and some moments that had my theatre laughing out loud, there were some other themes woven throughout that I really appreciated. Self-worth, value and materialism are at the forefront and they really had me reflecting on not only personal experiences I have had in the past, but also those of my friends who are still dealing with similar situations every single day. It also illustrated the less glamorous side of dating such as individuals only wanting a certain age bracket or skin color as well as what could happen when a date takes a turn for the worst.

Materialists was one of the films that I was most excited for this summer. I was a big fan of Song’s debut Past Lives and couldn’t wait to see what she was going to do next, not to mention the fact that this cast was an absolute dream. I’ll admit that the marketing may be misleading, but I actually think I enjoyed the film much more because I went into it thinking it would be one thing and I ended up getting so much more out of it.

Rating: ♥️♥️♥️♥️

Freakier Friday

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Twenty two years ago, Anna (Lindsay Lohan) and Tess Coleman (Jamie Lee Curtis) swapped bodies. Now Anna has become just like her mom and is trying to raise her teenage daughter Harper (Julia Butters). When Anna falls in love with Eric (Manny Jacinto) and the two decide to get married, Harper is less than thrilled. Eric has a daughter named Lily (Sophia Hammons) and the two girls cannot stand each other. After an encounter with a physic at Anna’s bachelorette party, history ends up repeating itself.

Twelve year old me loved the original Freaky Friday back in 2003. Not only did I see it more than once in the cinema, I wore out that VHS tape! I knew each line and all the song lyrics. I wanted to be Lindsay Lohan and I was in love with Chad Michael Murray. Upon my rewatch I was pleased to see that it still holds up. While news of the sequel was no surprise, I didn’t think it was necessary. What did surprise me was how much I enjoyed it!

It felt like no time had passed with Lohan and Curtis reprising their iconic roles. You can tell that they are having the time of their lives. Playing teenagers made for some hilarious hijinks. I was in absolute stitches at the scene where Harper as Anna is taking to Anna’s former flame Jake (Chad Michael Murray) in the record shop. Butters and Hammons are welcome additions who mix things up. They had just as much fun eating junk food and zipping around LA on scooters.

Plenty of other familiar faces have returned as well. It was so nice to see the likes of Mark Harmon as Ryan, Lucille Soong as Grandma Chiang and Rosalind Chao as Mama P., Ryan Malgarini as Harry and Stephen Tobolowsky as Mr. Bates again. Pink Slip is back too with Christina Vidal and Haley Hudson as Maddie and Peg giving yet another brilliant performance of Take Me Away. In fact, there are so many little easter eggs scattered throughout that makes it so much fun.

I was not expecting to get so in my feels. Not only did the film once again focus on mother daughter relationships, it also threw in themes of found family, loss, grief and acceptance. Lily losing her mother hit too close to home and I sympathised with her for not wanting to open her heart up again. On the other hand, Anna and Harper on stage in the final act almost had me full on sobbing. If you know you know.

Overall, Freaky Friday did not need a sequel, but I’m glad they made one. Fans of the original will be happy while newcomers will be able to fall in love with the franchise right away. Lohan and Curtis are in top form while the Butter and Hammons are worthy additions. Somehow Disney was able to completely up the stakes making for another brilliant outing.

Rating: ♥️♥️♥️♥️.5

My Oxford Year

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Based on the book by Julia Whelan, My Oxford Year follows Anna De La Vega (Sofia Carson) as she sets out to the prestigious university to study poetry. She’s had her life planned out just so, but she never expected to meet Jamie Davenport (Corey Mylchreest). A PHD student filling in as a TA for the poetry class that Anna is taking, the two have a rocky start that quickly develops into something life changing.

The student teacher relationship aside, I have to say that I thought the relationship between our two main characters was lovely to watch. I’m a sucker for a good enemies to lovers trope, but this one packed a punch I didn’t see coming. It seems as though Carson has been in everything and anything on Netflix lately, but I am not complaining. I was familiar with Mylchreest from Queen Charlotte and remember him being quite the heartthrob. Together they had a sweet and organic chemistry; I was rooting for them from the beginning.

As I hadn’t read the book prior to watching the film, I went in blindly and I was completely floored when I discovered where the story was going. I probably shouldn’t have been too surprised and yet I was still caught off guard by how touching the whole thing was. The importance of living every moment as if it’s your last was not only prominent, but depicted perfectly.

Another selling point for me was, of course, the beautiful Oxford backdrop. It’s been a hot minute since I last visited, but I was instantly transported there. The various pub outings, kebab stand and the Oxford vs. Cambridge boat race were just so quintessentially British that I couldn’t help but smile.

Overall, I went into My Oxford Year expecting a cute, easy going rom-com and came out of it with something more. The acting may not have been the best and I didn’t really care for the side characters, but that’s okay. The story and the central romance was enough to keep me invested.

Rating: ♥️♥️♥️.5

The Bad Guys 2

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The Bad Guys are back and they are set on turning over a new leaf. Life on the other side of crime isn’t easy as Mr. Wolf (Sam Rockwell), Mr. Snake (Marc Maron), Mr. Shark (Craig Robinson), Mr. Piranha (Anthony Ramos) and Ms. Tarantula (Awkwafina) struggle to find new jobs. When they are forced out of retirement, they need to decide if being good is what they really want.

I enjoyed the first Bad Guys film. The story was interesting and the animation had a modernized twist to it. I had no idea Dreamworks were making a sequel until recently. It would be fun to be reunited with this colorful cast of characters. It did end up being a bit of a mixed bag for me.

One of the ways in which the film excels is in its voice talents. Everyone is back for this adventure and this time they are joined by some new faces. Kitty Kat (Danielle Brooks), Doom (Natasha Lyonne) and Pigtail (Maria Bakalova) are The Bad Girls. They were welcome additions to the cast and I liked their various interactions with the gang.

Once again, the animation is vibrant and stylish with some new locations featured throughout. It also has a fabulous soundtrack that had me dancing in my seat. The theme of acceptance was heavily featured and I appreciated how it focused on who these characters really were as opposed to the choices they might have made.

Aside from that, the plot was a bit too convoluted. There was a lot going on and at times I struggled to keep track of it all. The actual job that The Bad Guys were roped into doing was too random for me to believe and it seemed like it had all this build up to just end in an anti-climatic way. I’m sure a younger audience wouldn’t have minded, but I couldn’t help but wish for more.

I do believe that The Bad Guys is one of Dreamworks better projects, but this sequel wasn’t necessary. From what I can remember the original was wrapped up nicely though in today’s day and age, I guess another instalment was inevitable. I guess after I was so pleasantly surprised by the first one, I had higher expectations this time around.

Rating: ♥️♥️.5

The Fantastic Four: First Steps

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With its third outing this year alone, Marvel is officially kicking off Phase 6 with The Fantastic Four: First Steps. Reed Richards (Pedro Pascal), Sue Storm (Vanessa Kirby), Johnny Storm (Joseph Quinn) and Ben Grimm (Ebon Moss-Bachrach), the first Marvel family, returned from a space mission with superhuman powers. Now they about to face their biggest test yet when a god named Galactus (Ralph Ineson) threatens more than just Earth.

There have been a couple iterations of Fantastic Four before. I’ve not seen them, but I heard that they left a lot to be desired. Since I cannot make a comparison, I am only able to go off this one. Overall there was much to like. However I couldn’t help but feel like something was missing.

Casting always has a huge impact and this time around was no exception. The core four perfectly embodied their characters. Not only that, they really did feel like a family. The simple scenes of them at the dinner table or when they discovered that Sue was pregnant really helped ground them and made them more authentic. I also appreciated how we didn’t have a full on backstory and instead were brought up to speed in a way that felt fresh.

The look and feel of the film was such a vibe. Set in the future, but with a sixties flair, it definitely set itself apart from other installments we have seen. From the color palette and fashion, to the robot sidekick and the flying car, I felt like I was watching an episode of The Jetsons.

Unfortunately the pacing seems off to me. Some scenes felt disjointed and this resulted in some slower moments that took me out of the story. I also wasn’t particularly sold on the villains. Galactus was threatening enough though I felt like he just came out of nowhere all of a sudden. Silver Surfer (Julia Garner), on the other hand, had more promise, but again we weren’t given too much information about her until almost the end of the film.

Overall, The Fantastic Four: First Steps was a solid entry for the MCU. I’m glad that they seem to be finding their footing once again. Something was just missing for me and I’m not entirely sure what. Maybe my expectations were too high. I did enjoy it, but I didn’t love it like I was hoping to.

Rating: ♥️♥️♥️