Oh. What. Fun.

Every year at Christmas, Claire (Michelle Pfeiffer) goes out of her way to make it a special time for her family. Her husband Nick (Denis Leary) is clueless and spends most of his time in his garage. Claire’s eldest daughter Channing (Felicity Jones) thinks she’s better than everyone because she’s writing novels now while Channing’s husband Doug (Jason Schwartzman) is never taken seriously. Middle daughter Taylor (Chloë Grace Moretz) shows up with a new girlfriend each Christmas and youngest son Sammy (Dominic Sessa) has just been dumped. When her family actually forget about her, Claire packs a bag and sets off to find her own happiness.

The cast is absolutely stacked and that is a good enough reason to check this film out. In addition to the names mentioned above, there’s also Eva Longoria who stars as TV host and Claire’s hero Zazzy Tims, Danielle Brooks who portrays Morgan, a delivery driver who Claire meets shortly after she leaves her home and Maude Apatow is Mae-bell, the girl who breaks Sammy’s heart. Unfortunately many of these characters are kind of awful. They are mean, selfish and as a result do not have very many redeemable qualities. That made it hard to root for any of them. At times even I was yelling for Claire to just speak up and give her family a piece of her mind.

While the film was trying to stand out from others in its genre, it became evident that ideas had been borrowed from other, more well known titles. I saw snippets of Home Alone, The Family Stone and Planes, Trains and Automobiles. It wasn’t obvious or in your face at least, but it would have been nice for some more originality.

I did appreciate the message they were trying to get across. The fact that mothers (and fathers or really anybody else who finds themselves in a similar situation) give it their all over the holidays can be under appreciated. At the beginning, I really felt for Claire because her family clearly didn’t even seem to really know her. Over time, however, I felt like this stance was being repeated a bit too much and that took away its importance.

Overall, while I did like Oh. What. Fun for the most part, though it didn’t quite hit the mark. Part comedy, part drama, it was as if the film didn’t know what it wanted to be. It could have made more of an impact if it had leaned a bit more into the drama side of it, but the problem was solved rather quickly.

Rating: ♥️♥️♥️

The Holdovers

Paul Hunham (Paul Giamatti) is a disliked history teacher at prep boarding school Barton Academy. With no family or friends to go to over Christmas break, Paul stays behind to supervise the students who are unable to journey home. At the beginning there are five boys, but then only one remains – the smart but troublemaking Angus (Dominic Sessa) who is always on the brink of getting expelled. Together with head cook Mary Lamb (Da’Vine Joy Randolph), who is going through the loss of her son, they form an unlikely bond.

I wasn’t sure that The Holdovers was going to be my type of film, but I was quickly proven wrong. David Hemingson created a simple yet effective script while Alexander Payne helped bring to life a story of three mismatched people who are just looking to find their place in the world. There were no special effects or CGI, nor were there any gimmicks. Instead, we had a character study of these different individuals who, at the end of the day, weren’t that different from one another after all.

Giamatti was the perfect choice for the despicable history teacher. From the get go, you really dislike him, but as the layers are pulled back, you start to realize why he was the way he was. I loved the way in which Giamatti portrayed the character; the delivery was both sad and comedic at the same time. Randolph was also in top form here playing a grieving mother. Every time she was on screen, I had tears in my eyes. And I was in complete awe by Sessa. The fact that this is his first role is incredible because he really held his own.

As the events took place in the seventies, it was important that everything was as authentic as possible. I was immediately transported to the times thanks to the opening title sequence and the way in which it was all shot. I was also a big fan of the boarding school aesthetic amongst all that glorious snow.

The Holdovers is the perfect example that a film can just…be. It was poignant, yet funny when it needed to be and so unbelievably relatable. I saw myself in Mr. Hunham, Angus and Mary and I wanted them all to succeed. I’m so glad that this film has been getting so much awards buzz because it is certainly worth the hype.

Rating: ♥️♥️♥️♥️