Wake Up Dead Man: A Knives Out Mystery

It’s been three years since the last Knives Out instalment dropped on Netflix. Now Benoit Blanc (Daniel Craig) and director and writer Rian Johnson are back for another mystery. Father Jud Duplenticy (Josh O’Connor) is a young priest who is reassigned to a remote parish in upstate New York. There, he must work together with Monsignor Jefferson Wicks (Josh Brolin) who is equal parts charming as he is threatening. When someone dies under puzzling circumstances, Benoit Blanc finds himself on the scene.

The original Knives Out is one of my favorite films of all time. I’ve seen it a handful of times and always recommend it to people when they are looking for something to watch. Glass Onion, its predecessor which came out in 2022, was slightly more wacky, but still highly entertaining. To say that Wake Up Dead Man was one of my most anticipated films of the year is an understatement. I could not wait to see what Blanc would be up to this time. While I did enjoy the film, I have to say that I was a little bit disappointed with it too.

One of the major draws of this franchise is its stacked cast. Craig is back for his third outing and he’s just as iconic as usual. My only qualm was that he didn’t come in until the fortieth minute mark! I definitely think he could have been introduced much earlier on. This is hands down O’Connor’s shining moment and boy does he take it. With a perfect mix of innocence and determination to clear his name as being suspect, he truly delivered. Glenn Close portrayed Martha Delacroix, a devoted servant to the church. She was fabulous yet slightly unhinged in her role and I found myself looking forward to whenever she would be on screen.

Unfortunately there were so many other characters who we just didn’t get the chance to know very well. Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, Thomas Haden Church and Mila Kunis were all well casted. Because they didn’t have much backstory, they were just kind of there instead of seeming like real people. In the previous films we got to know who everyone was and each seemed suspicious. This time around some of the talent was wasted.

While I did appreciate the locked room element of the story, I’ll admit to getting lost in the religious themes. This, combined with the slower pace, and the fact that some of the scenes were just so drawn out made it hard for me to stay invested. Also, unlike in the previous films, there was no exciting reveal and it just kind of fell flat.

Overall, Wake Up Dead Man is my least favorite of the Knives Out trilogy. The cast were great, but I couldn’t help feeling like something was missing. Perhaps my expectations were simply too high, I don’t know. I appreciate Johnson wanting to do something different, but I was missing the thrill that the first two brought to me.

Rating: ♥️♥️♥️

Challengers

After being delayed a couple of times, Challengers has finally graced cinema screens around the globe. Tashi Duncan (Zendaya), a former tennis prodigy turned coach makes no excuses for the person she is on and off the court. Married to Art Donaldson (Mike Faist), a champion who has been on somewhat of a losing streak, she signs him up for a smaller scale competition in hopes it’ll bring him redemption. He just has to face off against his former best friend and Tashi’s former flame Patrick Zweig (Josh O’Connor) first.

Tennis may play an important part in the film, but at the center of it all is a love triangle. Zendaya delivers her most mature and captivating performance yet. Tashi was a magnetic character who didn’t care about anybody but herself and the way she commanded those boys was intriguing to watch. Faist and O’Connor held their own against her as well as each other; their bromance was one for the books and if you ask me, I think they should have been together, not fighting over who got to be with Tashi! That being said, all three had crazy chemistry that I won’t be recovering from anytime soon.

Music helps amplify certain scenes and put you in the right frame of mind. The score that was used throughout was so unlike any that I have ever experienced before. It was loud and pulsating especially during the big tennis match. That mixed with the unique way in which it was shot was a palette not only for the ears but for the eyes too.

To help bridge the gap between the past and the present, there were multiple flashbacks. The first one really set the stage. After a while, it started skipping around a bit too much and was hard to keep track of. As a result, the big match almost seemed to take a backseat while simultaneously feeling like it lasted far too long.

My expectations for Challengers was pretty high and for the most part I feel like it delivered. Thanks to the stunning performance from our three leads and the direction of Luca Guadagnino, this is a film that tingled all of my senses while also staying true to such a beloved sport.

Rating: ♥️♥️♥️♥️