The Electric State

Based on the graphic novel by Simon Stålenhag, The Electric State follows Michelle (Millie Bobby Brown), an orphan, whose life hasn’t been the same since the war. She teams up with a robot and a smuggler named Keats (Chris Pratt) to find her long lost brother who she presumed was dead.

Directed by the Russo brothers and boasted to be the most expensive Netflix project ever made, one would expect this film to be slam dunk. Unfortunately that couldn’t have been farther from the truth. While there were some glimmers of hope at the beginning, my interest in the film grew thinner and thinner as the time went on and I just didn’t really see the point anymore.

Where the film excels is in its special effects and cinematography. The various robots that the audience meets throughout come with their own individual personalities thanks to the voice talents of Anthony Mackie, Woody Harrelson, Ke Huy Quan and Jenny Slate. The world building was pretty impressive as well with the vast lands of a post apocalyptic United States. As the film took place in the nineties, I also loved the throwback songs that were featured throughout as it really helped set the tone.

Brown is great in everything she does. I’ve grown to admire her as an actor over the years and she does what she can with the role. I can imagine that talking one on one to a robot for most of the film couldn’t have been easy. I can’t help but think that Pratt is being typecasted in yet another Peter Quill sort of role. I’m also not a fan of his in general so I found watching his scenes to be a bit annoying. Stanley Tucci is supposed to be a villain, but I didn’t find him menacing whatsoever.

Pacing was also an issue for me. It felt kind of all over the place and I’m wondering if maybe it had been made into a show instead of a film would it have fared better? The same can be said about the characters. Aside from Michelle, we really didn’t have much backstory on Keats or Tucci’s Ethan Skate which left them rather one-dimensional. I also couldn’t figure out who the target audience for the film was supposed to be.

While I may not have had high expectations for The Electric State, I was still hoping it wouldn’t be that bad. I guess this is something that I should just expect from Netflix going forward though I really wish they would give us more quality films.

Rating: ♥️♥️

Damsel

Doing what she thinks is best for her family, Elodie (Millie Bobby Brown) agrees to marry the handsome and seemingly perfect Prince Henry (Nick Robinson). When she realizes their union is a trap, it is too late – she’s thrown into a cave inhabited by a fire-breathing dragon and she must do whatever she can to survive.

Considering the fact that Netflix is known for putting out mediocre films, I went into this one with little to no expectations. Imagine my surprise when I found myself becoming invested and actually kind of enjoying myself?

While it takes way longer than it should to get going, the film did pick up in a big way. With no scene partner to work off of, Brown was completely at the forefront and I have to say that she totally delivered. Her tenacity and bravery to get to safety was thrilling to watch and I found myself waiting in bated breath to see how it would all turn out. Brown, who has been a Netflix protegee since Stranger Things, is certainly one to watch.

Though we don’t see them often, the additions of Ray Winstone, Angela Bassett and Robin Wright as the respective parents were selling points. Robinson unfortunately had quite a wooden performance as the prince thanks to some cringe worthy lines.

The special effects were mostly convincing save for a couple of green screen landscapes. The cave scenes in particular and the dragon itself was quite well done. At times it felt realistic and like the Kingdom of Aurea really does exist.

Damsel was way better than I was expecting it to be. Taking the damsel in distress trope and spinning it on its head was a brilliant idea. It’s no masterpiece by any means, but it made for an entertaining watch and that’s all that matters.

Rating: ♥️♥️♥️

Enola Holmes 2

Lovable detective Enola Holmes (Millie Bobby Brown) is back and this time she’s got her own business up and running. Following in her brother Sherlock’s (Henry Cavill) footsteps, she intends to stand out from the crowd, though that may not be as easy as she thought. But when a young girl comes into her shop and asks for Enola’s help to find her sister, everything changes. Something far more complicated than it seems, Enola must turn to her family and friends to solve the case.

Millie Bobby Brown was, once again, a force to be reckoned with. The absolute charisma and charm she brings to Enola is mesmerizing. Not only does she shine every time she is onscreen, the predicaments she constantly finds herself in take the audience on constant twists and turns that leaves them wondering how it will all come together. Similarly, I have always felt like Henry Cavill was a good fit as Sherlock. I liked that we had a bit more of him this time around.

The returns of both Helena Bonham Carter as Eudoria Holmes and Louis Partridge as Tewkesbury was a welcome treat. In addition, the newcomers that were introduced to help flesh out the story were perfectly casted. David Thewlis was menacing as villain Grail and Sharon Duncan-Brewster was enigmatic enigmatic as Mira Troy. It was also fun getting to know Serrana Su-Ling Bliss and Hannah Dodd who played Matchstick Girls Bessie and Sarah respectively.

Speaking of the Matchstick Girls, the way in which their significance was woven into the film was such a brilliant move. Having the opportunity to learn more about them was not only fascinating to me, it was also very inspiring. I didn’t know anything about them prior to watching, but as soon as the film was over, I continued on with my research. I loved how Enola Holmes shed some light on this incredible step for women everywhere.

The original Enola Holmes film was such a home run for me, I wasn’t sure how its successor would hold up. I’m so happy to report that it was just as good, if not slightly better in certain ways. With Enola growing older, I feel like she’s not only becoming more relatable, she is also becoming a role model for women of all ages. The film is super fun with many hijinks along the way. It is definitely one of the best things that Netflix has ever gotten their hands on.

Rating:  ♥♥♥♥