Tag: MovieBlog

Space Cadet

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Tiffany “Rex” Simpson (Emma Roberts) is a party girl from Florida who works as a bartender. Once upon a time, she wanted to be an astronaut. When her best friend Nadine (Poppy Liu) tweaks her letter to NASA, against all odds, Rex is accepted into the program.

I’ve been a fan of Roberts for as long as I can remember. She takes on a lot of different types of roles and while they don’t win any awards, you can tell that she is having a fun time with it. Her friendship with Liu’s Nadine was one of the highlights for me – the way in which Nadine went to bat for Rex and pretty much committed fraud just so she could make her dreams come true shows that she is a true ride or die. In fact, the rest of the cast was pretty good too. From the camaraderie with the rest of her teammates in NASA (Kuhoo Verma, Desi Lydic, Yasha Jackson, Andrew Call and Josephine Huang) to Logan O’Leery (Tom Hopper) and Pam Proctor (Gabrielle Union) who ran the program, everyone gelled really well together.

One needs to suspend all disbelief while watching as there is no way that this could happen in real life. But at the core of an otherwise bonkers plot is a story of finding yourself and following your dreams. It reminded me a lot of Legally Blonde. Nobody believed Elle could go to Harvard just like everyone overlooked Rex at NASA. At the end of the day, they proved everyone wrong.

I honestly thought that Space Cadet was going to be awful. It came across as cringey and kind of childish, just what you would expect from a film on a streaming platform. What I got instead was something that actually really resonated with me as I’m sure it will with many others. It was also the perfect pick for the Fourth of July.

Rating: ♥️♥️♥️

A Family Affair

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In Netflix’s newest romantic comedy offering, Zara Ford (Joey King) works for movie superstar Chris Cole (Zac Efron) who is the worst boss ever. By a twist of fate, Chris strikes up a relationship with Zara’s mother Brooke (Nicole Kidman).

This is not the first time we’ve seen a relationship blossom between an older woman and a younger man. I liked how this time around the age factor wasn’t the focal point of the story. Instead the audience is invited into the worlds of these characters as they embark on a journey of self discovery. Of course some hijinks ensue. There are some laugh out loud moments and one in particular that had my husband reaching for the remote to rewind it and watch it again.

At the core is a heartfelt story about finding yourself and growing up. Sure Chris and Brooke form the central romance, but I really liked the depiction of the mother daughter relationship between Zara and Brooke and that of Brooke and her mother in law Leila (Kathy Bates). It really helped tie it all together for me.

The cast was what definitely made the film. King, although a bit whiny at times, was relatable as the lead. Efron proves he’s still a heartthrob and Kidman is as lovely and beautiful as ever. At first I didn’t buy their chemistry, but I have to say that it did eventually win me over. The fact that they got Bates for the grandmother was genius and we can’t leave out the supporting cast of Liza Koshy and Sherry Cola as Zara friends Eugenie and Stella.

Overall, A Family Affair may not add anything new to the genre, but it is a perfectly fine flick with something everyone can enjoy. Thanks to the star studded cast and the emotional material it left me feeling satisfied.

Rating: ♥️♥️♥️

Kinds of Kindness

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In Kinds of Kindness, three different stories are played out on screen. The first features a man who tries to make his own choices after having his whole life mapped out for him, the second follows a cop who can’t help but wonder if that is really his wife who has returned after being lost at sea and the third is about a woman who is in search of someone with a special ability.

Yorgos Lanthimos is known for his strange and unusual movies. After watching and loving Poor Things earlier this year, I was looking forward to seeing what he was going to do next. Unfortunately his newest venture didn’t quite hit the same marks that his predecessor did. One day later I’m still scratching my head over what it was that I watched.

What I did like was seeing some familiar faces in the film. Emma Stone, Jesse Plemmons, Willem Dafoe, Margaret Qualley, Hong Chau, Hunter Schafer, Mamoudou Athie and Joe Alwyn are the key players here. They each take on a different character throughout the three stories. I thought the performances were well done which is unsurprising with a cast of this calibre. That didn’t mean that any of them were particularly likeable, nor did I want to see any of them succeed.

That’s about where the enjoyment ended for me. As time ticked by (and it did so slowly), I became more confused. There was no correlation between the fables that I could detect and I couldn’t help but wonder what the point was. I think I would have appreciated it more otherwise. Also, it was as if each story just got more strange and convoluted. I like to think I’m open minded, but some of the scenes that unfolded before me have been etched into my mind and not in a good way! It’s like Lanthimos just did it for shock value and not because it added anything to the plot.

Overall, Kinds of Kindness is one of those films that will certainly divide audiences. I wanted to like it so much, but I think it just went way over my head. At least the cast were great and the cinematography worked so there were some silver linings.

Rating: ♥️♥️.5

The Bikeriders

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Based on the photography book by Danny Lyon, The Bikeriders focuses on a motorcycle gang’s reign during the sixties and seventies. When Kathy (Jodie Comer) meets Benny (Austin Butler) at a local bar, her life will never be the same. Benny is the newest member of the Vandals. As the country changes over time, Benny is constantly forced to choose between the woman who becomes his wife and Johnny, the enigmatic leader of the club.

With an incredibly stacked cast, I was instantly sold. Hardy gives a solid performance as the leader of the group. He doesn’t take any shit from anybody and he also serves as a father figure to many of the members. Butler’s role this time around wasn’t as convincing for me, but I think that was what the character called for. wasn’t as strong in comparison. He was a bit of a wet rag if I’m being honest. But he’s so beautiful to look at that I would interested even if he were to read the phone book. The film belongs to Comer though who shines as Kathy. Told through a series of interviews given to Lyon’s character played by Mike Faist, she instantly captivated me even if the accent took some getting used to.

The look and feel was cool. The small town America back drop complete with the old school outfits and the soundtrack was all very fitting. I also appreciated the cinematography especially in regards to the motorcycles themselves. During many of the drive by scenes, the way in which the camera was positioned on the road with the engines revving was such an adrenaline rush.

Unfortunately the film did fall flat around the halfway mark. I understand that this was more of a character study, but it was missing any sort of real conflict. The pacing, as a result, was slow and I found myself losing interest. Don’t get me wrong, I enjoyed the leading trio, but I felt like we didn’t even really get to know who they were as people, let alone the side characters (played by Norman Reedus, Michael Shannon, Boyd Holbrook and Damon Herriman to name a few).

Overall, I did enjoy The Bikeriders, but I felt like it could have been better. This was a prime example that a stacked cast isn’t always worth the hype because outside of the performances, there wasn’t much on offer.

Rating: ♥️♥️♥️

Inside Out 2

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Ten years after its first instalment, Inside Out is back and so are its beloved emotions. Joy (Amy Poehler), Sadness (Phyllis Smith), Disgust (Liza Lapira), Fear (Tony Hale) and Anger (Lewis Black) have perfectly curated Riley (Kensington Tillman) to be the best person she can be. None of them expected what was going to come next: puberty. And with this new chapter in Riley’s life comes some new emotions: Anxiety (Maya Hawke), Envy (Ayo Edebiri), Ennui (Adèle Exarchopoulos) and Embarrassment (Paul Walter Hauser).

While I thoroughly enjoyed the original story, it was never up there with the greats. I still couldn’t help but wonder how Pixar would top it, considering it is a movie that so many people hold dear. I actually think I loved this one even more because I was able to relate to it on a whole different level.

As usual, Pixar knocks it out of the park with the animation. Whether it is the different areas of Riley’s mind like the stream of consciousness, the pits of sarcasm or the back where bad memories are banished to, or in the real world where we see Riley at hockey camp, there is a blend of vibrant colors and out of the box ideas that completely sucked me into the story.

The cast is once again a stand out here with some returning favorites and other newcomers. Taking on the roles of Disgust and Fear respectively are Lapira and Hale who do a fine job; it is like they had been there since the beginning. I’ve always had a soft spot for Sadness and was overjoyed to see her back – when she bursts into tears and face plants in the ground I feel that! But I also have to give major props to the new emotions who each brought something to the table. Ennui was much funnier than I expected, but it was Anxiety who impacted me more than anyone else. The way in which Hawke portrayed this character was so on point it was scary at times.

It wouldn’t be a Pixar film if it didn’t make me cry. I don’t think I’ve ever mentioned it, but I have anxiety and depression, so seeing these depicted on screen really hit me hard. With Anxiety getting more out of control and Joy’s line about struggling to find joy when you become an adult was like a punch to the gut.

I am so glad that movies like Inside Out exist. They teach children the truths about growing up and how important it is to stay true to yourself in such a smart way. Though our theatre was packed with people young and old, I do think it was the adults who took more away from it. I am sure that when the youngsters grow to understand the subject matter a bit more, Pixar will have done its job and that is something they should be proud of.

Rating: ♥️♥️♥️♥️.5

Hit Man

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From director Richard Linklater comes a caper full of twists and turns that is a guaranteed good time! Gary Johnson (Glen Powell) is a college psychology professor who also moonlights as a hit man for the New Orleans police. When he breaks protocol to help Madison (Adria Arjona), a woman who is trying to leave her abusive husband, the two lives that he has worked so hard to keep separate suddenly blur together.

Powell is hands down one of the best actors around right now. He has been on a steady incline and I’m sure he will only keep getting better. This role solidifies him as a bona fide star. The different personas that he dons while dealing with different clients just got better and better; I couldn’t decide which one was my favorite! Arjona, who I was not previously familiar with, holds her own against Powell. Their chemistry is electric and full of passion and I couldn’t help but swoon when they were on screen together.

I have to admit that there were some pacing issues throughout the film. It seemed as though a lot of time passed until things really started to happen. I didn’t mind the slow burn because I feel like the payoff was worth it, but I can imagine that other people would have expected more. Once the twists kept coming however, they didn’t stop. I do think that they tried to pack so much in that the ending was abrupt as a result.

Hit Man is a film with something for everyone to enjoy. The fact that it is based on true events is pretty cool! Having the chance to join Gary on his adventures and never knowing what to expect was a great way to spend a Friday night.

Rating: ♥️♥️♥️♥️

Am I OK?

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Lucy (Dakota Johnson) and Jane (Sonoya Mizuno) have been best friends all their lives. When Jane is promoted and the new role requires her to move out of the country, everything changes. Not only will their friendship be tested, but as Lucy comes to some realizations, things may never be the same again.

Inspired by the real life coming out story of screenwriter Lauren Pomerantz who previously worked on The Ellen DeGeneres Show, we embark on Lucy’s journey of self discovery. Afraid of facing the unknown in her early thirties when ‘we’re supposed to have it all figured out’ couldn’t have been more relatable if it tried. Whether it was exploring her sexuality or deciding to focus on art for a living, I enjoyed coming along for the ride.

At the heart of the film, however, is the friendship between the girls. Johnson and Mizuno’s chemistry was believable enough. I’ve always felt that Johnson is underrated as an actor, but her comedic timing here was everything. And though I’m not as familiar as Mizuno, I felt like she was just as matched in that department too. The way in which they approached these characters was well done. I liked that we were privy to the good, the bad and the ugly. The fact that they could say anything to each other, even if it hurt, showed how much they cared. And while the time they inevitably spent apart was tough to watch, it gave them both a chance to grow and find their way back.

AM I OK? is the film that I didn’t know I needed. I can’t believe that it debuted in Sundance in 2022 and was only released into the world now. It tells an important story about being true to who you are and also one about the significance of friendship. I recommend checking it out!

Rating: ♥️♥️♥️♥️

Furiosa: A Mad Max Saga

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From director George Miller comes the long awaited new installment of the Mad Max films. This time the focus is on Furiosa (Anya Taylor-Joy) where we learn about her origin story. After being kidnapped as a child (Alyla Browne) and held captive by the evil Dementus (Chris Hemworth), she vows to one day return home. Through the next fifteen years we see her grow into a fearsome warrior who will stop at nothing to get what she wants.

This was my first foray into the Mad Max films. I wanted to at least watch Fury Road before checking this one out, but time ran away from me. I was worried that this would hinder my overall enjoyment of the film. Luckily that wasn’t the case. I’m guessing as it was a prequel, it helped set the tone right from the get go and I found it quite easy to follow.

The first thing that struck me was the cinematography. The vast landscapes of the Wasteland were stunning and I really felt as if I had been transported into another time and place. Learning about the different areas from the Great Place of Many Mothers and Citadel was interesting too.

Taylor-Joy is one of the best actors around right now. The way in which she embodies Furiosa, taking on the role from Charlize Theron in the 2015 version, was absolute perfection. Though she doesn’t have a lot of dialogue, she conveys everything she needed to with her looks and mannerisms. Hemsworth, on the other hand, donned an entirely different character than I’ve seen him play before. He was a strong villain and he was so completely out there which worked effortlessly. Browne did a fine job as a young Furiosa and I loved the additions of Tom Burke as Praetorian Jack and Lachy Hulme as Immortan Joe.

Another area in which the film excelled in was its action sequences. They were visually impressive with lots of cool stunts and special effects. Those complete with the sweeping score really added an extra element to the overall experience I had while watching.

I’ll admit that I was initially on the fence about watching Furiosa: A Mad Max Saga. I didn’t think it would be my type of film or that it would go way over my head. I’m glad that I gave it a a chance anyway and was proven wrong.

Rating: ♥️♥️♥️.5

IF

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John Krasinki is back in the director’s seat with a completely different type of film. Bea (Cailey Fleming) is going through a tough time. When she moves in with her grandmother (Fiona Shaw), she ends up befriending one of the upstairs neighbors named Cal (Ryan Reynolds). Cal is on a mission to reunite IFs, or imaginary friends, with new children as their old ones have grown up and forgotten about them. He enlists the help of Bea and together they embark on a magical adventure.

Where the film exceeds is in its casting. Fleming is a great pick for our protagonist. I’ve never seen her before, but her performance was endearing and relatable. Reynolds seems to dial it back a bit from his usual song and dance to give Fleming more of the spotlight. He’s still a very important player though and the two worked well together. For me it was the different voices that brought the IFs to life that I had fun discovering: Steve Carell as Blue, Phoebe Waller-Bridge as Blossom, Louis Gossett Jr. as Lewis, Akwafina as Bubble, Emily Blunt as Unicorn, George Clooney as Spaceman, Bradley Cooper as Ice and many more.

Unfortunately there are some pacing issues that are evident throughout. Things take too long to get going in the beginning. There’s some groundwork that needs to be set up with the audience learning about Bea’s life which is fine, but I wanted more time with the IFs! I also felt like it wrapped up way too quickly in the end.

The moral of the story of getting back in touch with your inner child really spoke to me. I was one of those kids who had an imaginary friend and I could totally relate in that I don’t even remember who they are anymore. Just because you grow up doesn’t mean you don’t have to forget the parts of you that made you happy when you were younger. These sentiments really tugged at my heartstrings.

Overall IF was an enjoyable film that the whole family can enjoy. It will certainly resonate with children for the beloved friends they will meet along the way, but I think it is the adults who will get the most out of it. Though it may have gotten a bit muddled along the way, it is still worth checking out.

Rating: ♥️♥️♥️.5

Turtles All The Way Down

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Turtles All The Way Down by John Green was first introduced to the world in October of 2017. Now, the beloved book has been adapted for the screen. Aza Holmes (Isabela Merced) is trying to live her life as normally as she can which isn’t easy due to her obsessive compulsive disorder. When she reconnects with her old crush Davis (Felix Mallard), she is swept up in the mystery of where his business tycoon father disappeared to.

Like many others, I devoured Green’s novel when it first came out. It’s been some time so I cannot confirm or deny as to how close they stuck to the original material. But I am happy that this one finally got the same treatment that many of his other pieces of work have received.

Merced completely brings Aza to life. The way in which she depicted her difficulties was nothing like I had seen before and I mean that in a good way. We saw the good, the bad and everything in between and I found that to be really refreshing. I truly believe that people who deal with the same disorder felt seen while watching this.

The rest of the cast were perfectly chosen for their roles. I absolutely loved Daisy (Cree), Aza’s best friend. They were there for each other through it all and she brought some much needed comedy to the film. It was nice seeing Mallard in something outside of his usual stint on Netflix’s Ginny and Georgia and Judy Reyes was a spot on choice for Aza’s mom Gina. I also appreciated the inclusion of J. Smith-Cameron as Professor Abbott and Poorna Jagannathan as Aza’s therapist Dr. Singh.

While Turtles All The Way Down did seem to target more of a teenage audience, I am still glad that I watched it. It’s not often we see OCD depicted in this way on screen, so I have to commend the choices that were taken to make it happen.

Rating: ♥️♥️♥️