Tag: MovieBlog

Damsel

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Doing what she thinks is best for her family, Elodie (Millie Bobby Brown) agrees to marry the handsome and seemingly perfect Prince Henry (Nick Robinson). When she realizes their union is a trap, it is too late – she’s thrown into a cave inhabited by a fire-breathing dragon and she must do whatever she can to survive.

Considering the fact that Netflix is known for putting out mediocre films, I went into this one with little to no expectations. Imagine my surprise when I found myself becoming invested and actually kind of enjoying myself?

While it takes way longer than it should to get going, the film did pick up in a big way. With no scene partner to work off of, Brown was completely at the forefront and I have to say that she totally delivered. Her tenacity and bravery to get to safety was thrilling to watch and I found myself waiting in bated breath to see how it would all turn out. Brown, who has been a Netflix protegee since Stranger Things, is certainly one to watch.

Though we don’t see them often, the additions of Ray Winstone, Angela Bassett and Robin Wright as the respective parents were selling points. Robinson unfortunately had quite a wooden performance as the prince thanks to some cringe worthy lines.

The special effects were mostly convincing save for a couple of green screen landscapes. The cave scenes in particular and the dragon itself was quite well done. At times it felt realistic and like the Kingdom of Aurea really does exist.

Damsel was way better than I was expecting it to be. Taking the damsel in distress trope and spinning it on its head was a brilliant idea. It’s no masterpiece by any means, but it made for an entertaining watch and that’s all that matters.

Rating: ♥️♥️♥️

Dune Part Two

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The long awaited Dune sequel is here and holy crap was it worth the wait! I’m not the biggest science fiction fan, but even I have to admit that this instalment was on a whole other level. I was left completely and utterly transfixed on what was unfolding in front of me.

Picking up right from where we left off, Paul Atreides (Timothée Chalamet) has joined forces with the Fremen and is getting closer to Chani (Zendaya) as a result. Despite the prophecy claiming he is the Chosen One, he does all that he can to stay true to himself while grappling with his inevitable fate.

Firstly, it’s important to note how visually stunning the cinematography is here. The way in which the landscapes were shot from the sand dunes to the various locations were literally out of this world. It was like an overload to the senses at times and I mean that in the best way possible. Just absolutely outstanding!

The acting here is top notch with everyone delivering career best performances. Chalamet solidifies the fact that he was the right choice for our leader; I wasn’t sure of him before, but now I am. It was great to have more of Zendaya on screen this time around as she really was the grounding force throughout. Newcomers to the group Florence Pugh and Austin Butler fit right in; the former was the perfect Princess Irulan while the latter was completely chilling as the sadistic Feyd-Rautha. Complete with Rebecca Ferguson, Javier Bardem, Josh Brolin, Dave Bautista, Christopher Walken, Léa Seydoux, Stellan Skarsgärd and Charlotte Rampling, there was nothing they couldn’t do.

While there were times where I felt the pace needed to pick up slightly and the open ending, I was engrossed the whole way through. I remember enjoying the first film, but this was so much more elevated. It was easy to follow, had great story arcs and an incredible score that fit perfectly. This is what cinema is all about – being swept away into another world and forgetting where you are for that moment in time.

Dune Part Two really is worth the hype that it’s been getting. Run don’t walk to your nearest cinema and enjoy it on the big screen. You won’t be disappointed!

Rating: ♥️♥️♥️♥️.5

Players

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In Netflix’s latest rom-com venture, Mack (Gina Rodriguez) is a sportswriter who has been making hook up plays with her best friend Adam (Damon Wayans Jr.) and their crew (Augustus Prew, Joel Courtney and Liza Koshy) for years. When she unexpectedly falls for hotshot reporter Nick (Tom Ellis), her plans are thwarted, and she is forced to rethink everything she thought she knew about the games she crafted.

Players looked like a cute film from its trailer. The cast is great with the likes of Rodriguez, who is not only stunning but full of charisma, Wayans Jr. who has great comedic chops and the delectable Ellis fresh off his run from the streaming platform’s Lucifer. But as I settled in and the story progressed, the excitement soon disintegrated.

The chemistry between the core group of friends was playful and fun. I enjoyed the various plays they made at the beginning, like the fishing one. The tone changed, however, when Mack started pursuing Nick. The lead up was entertaining and then the cracks started to show. Nick turned out to be a pretty awful person and it was hard to watch the scenes they shared together.

In fact, the main problem I had with this movie was in its characters. It is obvious from the get go that Adam has always held a torch for Mack, but we’re grasping at straws trying to piece together their history. And then there is Mack who is clearly running away from her true feelings. She makes a lot of questionable decisions which made it hard to root for her. Perhaps having some flashbacks with her and her parents showing their strong bond would have made me understand why she was so closed off in relationships.

Overall, Players could have been a home run, but instead it never really got off the ground. Had the characters been reworked slightly with more fleshed out backstories, it would have been more compelling and well rounded. I also would have cared about them more as a result.

Rating: ♥️♥️.5

Madame Web

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Sony’s newest Marvel offering comes in the form of Madame Web. Cassandra (Dakota Johnson) is a paramedic who lives in New York City. She develops powers that allow her to see the future which she can use to change it. When revelations come to light about her past, she forms a relationship with three young women who are bound for greatness.

Ever since I saw the film yesterday, I’ve been wrecking my head trying to formulate my thoughts about it. This was one that I was super excited for; the cast is great and a female version of Spider-Man more than sparked my interest, but it ended up being one giant disappointment.

The first letdown was the script. A lot of the dialogue came across as forced and unauthentic. As a result, a variety of the scenes were uncomfortable to sit through because you could tell that the actors were doing what they could with the source material and it just wasn’t translating properly.

Another issue that I had was that pacing. It took awhile to get going and it was as if some scenes didn’t get the focus needed while others got too much. The sequence in the subway that developed into a cab chase lasted for awhile while Cassie’s visit to Peru was only five minutes. It didn’t make sense.

One bright spot was the chemistry between Johnson, Sydney Sweeney, Isabela Merced and Celeste O’Connor. They gelled together well enough and their camaraderie was realistic. Cassie was like an older sister to Julia, Anya and Mattie and if we do end up getting a sequel, I look forward to seeing more of them all together. Adam Scott as Ben, Emma Roberts as Mary Parker and Zosia Mamet as Amaria were also welcome additions. Another missed opportunity was Tahar Rahim’s villain Ezekiel Simms. He was one of the worst villains I have ever witnessed! I found him incredibly dull and didn’t care when he was on screen.

I’m sad that Madame Web was such a misfire. There was potential hidden deep within, I just don’t think it was properly brought to fruition. I feel bad for the cast, but it’s not their fault as they did all they could. I hate to say it – the future of superhero films is not looking too good.

Rating: ♥️♥️

Upgraded

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In this spin on The Devil Wears Prada, we meet Ana (Camila Mendes), a down on her luck intern who is passionate about art. Always in debt and sleeping on her sister’s couch, Ana dreams of one day impressing her boss Claire (Marisa Tomei). When she is invited along on the trip of a lifetime and is upgraded on the plane, she meets Will (Archie Renaux) who ends up mistaking her for her boss. Ana doesn’t correct him and sets off a string of events in her wake.

Carlson Young of the Scream television series tries her hand at directing here. The film doesn’t necessarily break the romcom mould, but it’s still got all the ingredients needed to make for a pleasant viewing. It helps that our leading lady is extremely relatable in her misfortunes and that you can’t help but root for her as things start falling into place.

Mendes has a few feature films on her back now, and with Riverdale officially being over, I’ve appreciated the various roles that she has taken on. I wasn’t as familiar with Renaux’s previous work though I felt like his chemistry with Mendes was organic enough. Lena Olin who stars as Will’s mother Catherine was an absolute treat while Anthony Head was equally as delightful as family friend Julian Marx. And as much as I wanted to like Tomei’s Claire, a modernized version of Miranda Priestly if you will, I could not get past her accent!

This was a true rags to riches story and I had fun embarking on the rollercoaster ride. I also love when the main character goes to a new country and have all their dreams start to come true, so this was pretty much right up my alley. There were still times where its unrealistic scenarios had me rolling my eyes in disbelief making it hard to look past.

Overall, Upgraded is a cute enough romantic comedy that is perfect for this time of the year. Though it borrows ideas from other well known stories, the incorporation of the art world was fresh and exciting. This may not be one that I will revisit any time soon, but I appreciated it for what it was.

Rating: ♥️♥️♥️

Migration

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Migration is the newest of Illumination’s offerings. The Mallard family have a pretty great set up in their New England pond. Mack (Kumail Nanjiani), the father in particular, isn’t bothered when everyone else flies south for the winter. This year is different when his wife Pam (Elizabeth Banks) convinces him otherwise. Together they set out with their two children Dax (Caspar Jennings) and Gwen (Tresi Gazal) as well as Uncle Dan (Danny DeVito) on the adventure of a lifetime.

Though the plot may be simple and straightforward, there’s plenty to enjoy. At the heart of the film the theme of family and this was depicted prominently throughout. The ways in which they worked together was heartwarming to see. You could tell they were close and would do anything for each other, no matter the trials and tribulations they faced.

At times it felt like the events unfolding were predictable. Sometimes this can be comforting because we know that everything will turn out okay. That was the case here. It was the journey leading up to the final destination that kept me invested with the scenes in New York City being my favorite. Chump (Awkwafina), a tough on the outside yet warm on the inside pigeon, and Delroy (Keegan-Michael Key), a down on his luck macaw, were introduced here and elevated the story.

From the tranquil pond where the Mallards live, to the skies up above and the bustling city down below, ending in the exotic beaches and waters of Jamaica, the audience is transported to many places over the course of the film. The animation was pretty to look at and really made me feel like I was along for the ride.

Overall Migration is the perfect film for all the family. Not only is there adventure, there are many laughs and a lot of heart thrown in that make for a perfect combination.

Rating: ♥️♥️♥️

Argylle

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The highly anticipated new espionage flick from director Matthew Vaughn is about Elly Conway (Bryce Dallas Howard), a reclusive novelist who doesn’t get out much. When the plot of one of her books gets a little too close to real life events, she finds herself swept up into a life that she only ever wrote about in her books. With the help of real agent Aidan (Sam Rockwell), the two must think ahead of the game to save themselves.

Argylle had all the right ingredients for a great film. Unfortunately it fell completely and utterly short in so many ways. While it did start off promisingly enough, it wasn’t long before I started to lose track of what exactly was going on as the plot grew more and more convoluted. At some point, I couldn’t help but wonder if we were supposed to be taking it seriously or if it was some sort of parody.

One of the issues here was that there was simply too much happening at once. It was as though one detail from every spy movie to ever exist was added in to make the ultimate spy film. I’m not sure why they thought this was the right move because instead of it having a positive effect, I’d say the opposite happened instead. And once the twists were introduced, they just didn’t stop.

Another aspect that really bugged me was Howard’s performance. I understand that Elly was supposed to be scared – anybody would be in her position! However, I got annoyed with her very quickly and eventually kept rolling my eyes every time she was on screen which was obviously a lot considering she’s the main character. At least the rest of the cast was filled to the brim with big stars from the likes of Henry Cavill, to Dua Lipa and Ariana DeBose, Bryan Cranston, John Cena and of course Catherine O’Hara that it almost didn’t matter.

To say that Argylle was a disappointment is an understatement. I had been so looking forward to it especially since it was helmed as being the new Kingsman. It seemed as though there were some good foundations set that just weren’t executed well at all. I’ll probably still check out any future instalments to see if this one was just a fluke, but it wasn’t off to a great start.

Rating: ♥️♥️

The Color Purple

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Based on the Broadway musical that was based on the 1982 book by Alice Walker, The Color Purple has been reimagined by Oprah Winfrey and Steven Spielberg for a new generation. The story follows Celie (Phylicia Pearl Mpasi and Fantasia Barrino) and her sister Nettie (Halle Bailey and Ciara) who are separated from one another when Celie is forced to move in with Mister (Colman Domingo). Over the years, Celie faces many hardships, but it is through the friendships she creates along the way where she finds her inner strength.

Unfortunately I have never read the book, nor have I watched the original 1985 movie, so I didn’t know what to expect going into this version. As the events unfolded before me, I soon realized that the material was pretty heavy so I am glad that music was incorporated.

The performances in the film are the true highlight. Barrino, who reprised her role from Broadway, delivered an emotional and raw portrayal to the main character that really had me feeling for her. Taraji P. Henson, who stars as Shug Avery, was electric, powerful and dominated every scene she was in. Danielle Brooks, who plays Sofia, really did give an Oscar worthy performance. And Domingo as the absolutely vile Mister really had me hating his guts.

Luckily they could all sing and sing well! The musical numbers were done brilliantly. I can only imagine how this must have looked live onstage. Unfortunately the plot sometimes fell a bit flat for me and the runtime was a tad too long, but the music really helped.

Overall, this version of The Color Purple is a high value musical extravaganza. It will make you laugh and it will bring tears to your eyes. It will also turn you into a dreamer. While it wasn’t perfect and it certainly could have been a tad bit shorter, it is well worth a watch.

Rating: ♥️♥️♥️.5

The Holdovers

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Paul Hunham (Paul Giamatti) is a disliked history teacher at prep boarding school Barton Academy. With no family or friends to go to over Christmas break, Paul stays behind to supervise the students who are unable to journey home. At the beginning there are five boys, but then only one remains – the smart but troublemaking Angus (Dominic Sessa) who is always on the brink of getting expelled. Together with head cook Mary Lamb (Da’Vine Joy Randolph), who is going through the loss of her son, they form an unlikely bond.

I wasn’t sure that The Holdovers was going to be my type of film, but I was quickly proven wrong. David Hemingson created a simple yet effective script while Alexander Payne helped bring to life a story of three mismatched people who are just looking to find their place in the world. There were no special effects or CGI, nor were there any gimmicks. Instead, we had a character study of these different individuals who, at the end of the day, weren’t that different from one another after all.

Giamatti was the perfect choice for the despicable history teacher. From the get go, you really dislike him, but as the layers are pulled back, you start to realize why he was the way he was. I loved the way in which Giamatti portrayed the character; the delivery was both sad and comedic at the same time. Randolph was also in top form here playing a grieving mother. Every time she was on screen, I had tears in my eyes. And I was in complete awe by Sessa. The fact that this is his first role is incredible because he really held his own.

As the events took place in the seventies, it was important that everything was as authentic as possible. I was immediately transported to the times thanks to the opening title sequence and the way in which it was all shot. I was also a big fan of the boarding school aesthetic amongst all that glorious snow.

The Holdovers is the perfect example that a film can just…be. It was poignant, yet funny when it needed to be and so unbelievably relatable. I saw myself in Mr. Hunham, Angus and Mary and I wanted them all to succeed. I’m so glad that this film has been getting so much awards buzz because it is certainly worth the hype.

Rating: ♥️♥️♥️♥️

Mean Girls

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Is it 2004 or 2024 I had to wonder while watching this new adaptation of Mean Girls. Based on the musical that was based on the classic film, the story follows new student Cady Heron (Angourie Rice) as she is invited to hang out with the Plastics: Regina George (Renée Rapp), Karen Shetty (Avantika) and Gretchen Wieners (Bebe Wood). But when Cody falls for Aaron Samuels, (Christopher Briney) who just so happens to be Regina’s ex boyfriend, she finds herself in Regina’s crosshairs.

The 2004 version of Mean Girls is one of my all time favorite films. It is untouchable to me. I have seen it more times than I can count and I can recite the lines word for word. Did we really need an upgrade on something that was already perfect? I wasn’t sure, but I was willing to give it a chance.

I’m surprised that I enjoyed this as much as I did. Firstly, everyone could carry a tune which was much appreciated. This allowed for the musical numbers to be even more fun. They were big and colorful and one was completely different from the other.

Of course there were going to be some updates to the material, since the original came out twenty years ago. While some of these didn’t quite work for me and a few of the newer jokes failed to land, I still found myself laughing out loud. The Halloween scene in particular and Karen’s song Sexy were such a vibe.

The casting was also pretty good. I was not familiar with Rice prior to her taking on the role of Cady, but I felt like she did it justice. Her portrayal was reminiscent of Lindsay Lohan’s for sure. Rapp, Shetty and Wood were fabulous as the Plastics and Briney worked well as our lovable heartthrob. I did think that Auli’i Cravalho’s Janis and Jaquel Spivey’s Damien were the scene stealers though – I loved that they narrated us through the story.

While I didn’t initially think we needed an updated version of Mean Girls, I am glad that we got one. It’s a slightly new take on a beloved classic that will be able to reach a new generation of fans. I don’t think there’s anything wrong with that!

Rating: ♥️♥️♥️.5