The Thursday Murder Club

Based upon Richard Osman’s 2020 novel of the same name, The Thursday Murder Club follows four individuals who meet every week to try and solve cold cases. Elizabeth (Helen Mirren), Ron (Pierce Brosnan), Ibrahaim (Ben Kingsley) and Joyce (Celia Imrie) couldn’t be more different save for their love of true crime. When one of the co-owners of their retirement home is found dead, they finally have the chance to put their sleuthing skills to the test.

I did read the book shortly after it came out, but I really don’t remember it. What I do know is that I wasn’t a big fan and soon put it out of my mind. I did find my interest peaking when news of the film broke and especially with that cast. I honestly did not know what to expect going into it though I wouldn’t be surprised if me not recalling any details helped with the overall enjoyment.

Mirren, Brosnan, Kingsley and Imrie are practically British royalty. To have them star together in such an adaptation is a lot of pressure; we all know that mixing big names together doesn’t always have the desired effect. With that being said, I actually think they were perfect. Mirren helmed the film effortlessly – she was Elizabeth. There was also so much more to her character that we simply didn’t get to see so hopefully there will be more opportunities for that in the future. They all had their moments to shine, however. I do think that Kingsley and Imrie could have been a little bit more at the forefront though.

The rest of the cast was absolutely stacked as well, I can’t not mention them. Naomi Ackie is Donna, a police officer who ends up working closely with the Murder Club on the case. Tom Ellis is Jason, Ron’s son and former boxing champ. Jonathan Pryce is Elizabeth’s husband Stephen who has dementia. David Tennant is Ian, another owner of the retirement home who is into all sorts of dodgy business. And Richard E. Grant is Bobby, a mysterious man who has disappeared, but who has a specific connection to the case. I loved seeing who would pop up where and thought they all did brilliantly in their roles.

I wouldn’t be surprised if one of the reasons why I didn’t enjoy the book as much was because the mystery was more of an Agatha Christie whodunnit and not so much of an earth-shattering twist that I’m always gagged for. I didn’t mind that in the film. It made the whole atmosphere quite cozy and autumnal which is fitting considering we are soon entering the ber months. These aspects combined with the beautiful backdrop of Coopers Chase (a literal castle?!) complete with it’s stunning manicured lawns and a cemetery really just enhanced the whole experience.

Overall, I enjoyed The Thursday Murder Club more than I thought I would. I would one hundred percent be open to them adapting the other books so let’s hope that they do. This has also prompted me to revisit the book – maybe I will appreciate it more now.

Rating: ♥️♥️♥️

Sorry, Baby

Written and directed by Eva Victor, Sorry, Baby is the story of Agnes (also Eva Victor), a New England student who lives with her best friend Lydie (Naomi Ackie) in a house in the middle of nowhere. When something bad happens to Agnes, her life is forever changed. The years that follow show how she tries to move past this horrible event.

After winning big at Sundance and hearing all the rave reviews the film has been garnering, I knew I had to check it out for myself. I went in with as little knowledge as possible and I think that only made the experience better. At the forefront it doesn’t seem like much is happening, but that couldn’t be farther from the truth.

While the story revolves around this traumatic experience, I appreciated the way in which it was dealt with. Agnes is assaulted by her PHD instructor Preston Decker (Louis Cancelmi). Victor could have chosen to show it, but instead she focused on a single shot of the house and measured the amount of time that passed through day and night. This still had a harrowing effect because you just know what is going on in that house. It’s a tough pill to swallow.

Agnes has a great support system of people around her who help her move forward. Lydie is the first point of contact after the event happens. Even when she eventually moves away, falls in love and has a baby, she still makes sure to check in on Agnes. Gavin (Lucas Hedges) is Agnes’s neighbor. The two strike up an unlikely friendship. He genuinely likes her and while their courtship starts off awkwardly, it is nice to see that she can open herself up to the potential of romance. Pete (John Carroll Lynch) is a kind stranger that just so happens to be in the right place at the right time. And I can’t forget Olga (Noochie), the cat that Agnes happens upon by chance and takes home. With each interaction, Agnes takes a few steps forward and then a couple back. There are many lows and a couple of highs and it’s quite impressive that Victor can mesh comedy and drama so well together, sometimes even in the very same scene.

Overall, Sorry, Baby is a triumph for Eva Victor. What she has created is a poignant and beautiful portrayal of something awful and how it’s important to keep living in spite of it all. This will surely hit close to home for anybody who has been in a similar situation. I hope that this film lets them know that they aren’t alone.

Rating: ♥️♥️♥️♥️♥️

Mickey 17

Sometime in the not so distant future, Mickey Barnes (Robert Pattinson) signs up to be an expendable on a space mission. Whenever he dies, a new version of himself is automatically created. When something goes wrong one day, Mickey discovers that there are now two versions of himself alive at the same time.

I’m not usually a fan of science fiction. Most of the time that’s because the world building can be too complicated for me. I was worried that this would be the case here and I’m happy to report that it wasn’t. For the most part, I was able to follow along with the story and I actually enjoyed the film way more than I thought I would.

Pattinson was brilliant as the titular character. All the different versions of him were so interesting and unique. This wasn’t a typical role for the actor and I liked the lighter, more comedic tone that it required. The rest of the cast were stacked. Naomi Ackie smashed it as Mickey’s girlfriend Nasha. Though we never knew her backstory, she proved herself to be a bad ass character who could hold her own. Mark Ruffalo and Toni Collette starred as Kenneth and Yifa Marshall, the leaders of the mission. They were so over the top, I couldn’t help but be reminded of a certain someone who is currently in power right now…

Director Bong Joon Ho is well known for his outlandish and satirical ideas. While this is quite the opposite of former Oscar winner Parasite, it is still a film that will give the audience a lot to think about.

Overall, Mickey 17 was a pleasant surprise. With fabulous performances, a crazy storyline and the beautiful backdrop of Niflheim, it was hard not to become wrapped up in this world. I do think it could have been a little bit shorter timing wise and it would have been nice to see more of the characters fleshed out, but that is something I was able to overlook.

Rating: ♥️♥️♥️.5

I Wanna Dance With Somebody

The Greatest of All Time. The Voice. Those are only some of the words that are used to sum up Whitney Houston. At the age of nineteen, Houston signed with Arista Records and the rest was history. Going on to win countless awards including six Grammys, she is one of the bestselling musical artists of all time.

When I watch a biopic, it is usually for one of two reasons: either I am a fan of the person in question and want to see their life played out on screen, or I know about said person, but not nearly as much as I probably should and I want to learn more. The latter is what occurred with I Wanna Dance With Somebody. Of course I knew of Houston and her iconic voice, but there was a lot that I didn’t know about her too. I was hoping the film would help shed some light on that.

Naomi Ackie starred as our leading lady and she was absolutely dazzling in the role. Not only did she resemble Houston in looks, she nailed those dramatic sequences and sold every musical number. It was hard to believe that wasn’t her actual voice, although let’s be real, would we want a movie about Whitney Houston without her actual voice? The rest of the cast gave brilliant performances as well. Stanley Tucci as agent Clive Davis, Ashton Sanders as husband Bobby Brown and Nafessa Williams as best friend Robyn in particular were standouts.

While the run time is a little long, I have to say that I only started feeling it around the two hour mark. At least we were treated with full musical performances – that medley at the AMAs still gives me goosebumps – and not snippets of them. Unfortunately it did feel as though some integral moments in the star’s life were cut short. There was obviously a lot they wanted to shine a light on, but some parts were skipped over rather quickly. I can’t help but wonder if a limited series would have been better suited to properly tackle the material.

That being said, I Wanna Dance With Somebody was a rather enjoyable, if not a completely heartbreaking story. The performances were knockouts and the music had me singing and dancing in my seat. Definitely a great last movie to see in the cinema this year!

Rating: ♥♥♥.5