A Big Bold Beautiful Journey

David (Colin Farrell) and Sarah (Margot Robbie) meet at a wedding. When they discover that they both got there with cars from the same rental agency, they embark on a journey suggested to them by the GPS. Coming across doors leading to various moments from their pasts, David and Sarah are forced to face the things they once buried deep while determining their future together.

Directed by Kogonada, this is not your average romance flick. While it is marketed as so, it really focuses on the individual journeys that the two main characters have to go through. You know the saying it’s important to love yourself before you can love somebody else? That couldn’t be more true here. David has always had impossible standards when it comes to finding the one while Sarah is a serial cheater who would prefer to hurt others before they can hurt her. The way in which they must make peace with integral moments of their lives was done in a truly unique way.

The cinematography featured was beautiful. Magical realism at its best, in order to properly enjoy it, you just need to go with it. From discovering a bright red door in the middle of the forest, to one filled with graffiti in a field of wild flowers, the locations just got more and more intriguing. I particularly loved the scene where David and Sarah were sitting on top of a hill, looking down on Earth.

Farrell and Robbie shine. Their chemistry wasn’t as palpable as I would have liked, but individually they did a great job. Phoebe Waller-Bridge and Kevin Kline are scene stealers as the Female Cashier and Mechanic who work at the car rental agency while Jodie Turner-Smith lends her voice the GPS system. I wouldn’t have minded more time with the former two as they were really funny.

Overall, A Big Bold Beautiful Journey boasted some ambitious ideas. Unfortunately they didn’t always stick the landing. The film’s authenticity was questioned due to a shaky script and being too self-aware of itself. At least the performances and scenery helped pull it through.

Rating: ♥️♥️♥️

IF

John Krasinki is back in the director’s seat with a completely different type of film. Bea (Cailey Fleming) is going through a tough time. When she moves in with her grandmother (Fiona Shaw), she ends up befriending one of the upstairs neighbors named Cal (Ryan Reynolds). Cal is on a mission to reunite IFs, or imaginary friends, with new children as their old ones have grown up and forgotten about them. He enlists the help of Bea and together they embark on a magical adventure.

Where the film exceeds is in its casting. Fleming is a great pick for our protagonist. I’ve never seen her before, but her performance was endearing and relatable. Reynolds seems to dial it back a bit from his usual song and dance to give Fleming more of the spotlight. He’s still a very important player though and the two worked well together. For me it was the different voices that brought the IFs to life that I had fun discovering: Steve Carell as Blue, Phoebe Waller-Bridge as Blossom, Louis Gossett Jr. as Lewis, Akwafina as Bubble, Emily Blunt as Unicorn, George Clooney as Spaceman, Bradley Cooper as Ice and many more.

Unfortunately there are some pacing issues that are evident throughout. Things take too long to get going in the beginning. There’s some groundwork that needs to be set up with the audience learning about Bea’s life which is fine, but I wanted more time with the IFs! I also felt like it wrapped up way too quickly in the end.

The moral of the story of getting back in touch with your inner child really spoke to me. I was one of those kids who had an imaginary friend and I could totally relate in that I don’t even remember who they are anymore. Just because you grow up doesn’t mean you don’t have to forget the parts of you that made you happy when you were younger. These sentiments really tugged at my heartstrings.

Overall IF was an enjoyable film that the whole family can enjoy. It will certainly resonate with children for the beloved friends they will meet along the way, but I think it is the adults who will get the most out of it. Though it may have gotten a bit muddled along the way, it is still worth checking out.

Rating: ♥️♥️♥️.5

Indiana Jones And The Dial Of Destiny

Growing up with three brothers, I was exposed to movies that I otherwise wouldn’t have watched on my own. Indiana Jones was amongst them. It seemed like they were always on in my house and I felt like I owed it not only to myself, but to my family who introduced this hero to me, to witness this final adventure.

Indy (Harrison Ford) is struggling to fit in with the new era as his retirement looms near. When an all too familiar evil returns, he is thrown back into the life he thought he’d left behind to prevent an ancient artefact from falling into the wrong hands.

There’s been a lot of talk about the de-ageing technology that was used in the first portion of the film. In order to set up the plot, we had to go back in time to see a young Indy in 1939. Instead of recasting the role, they decided to go the CGI route. I have to say that for the most part it worked – seeing Ford in his prime again was quite something though it certainly wasn’t perfect.

With every Indy film comes fight sequences and chase scenes galore. Just when I thought they couldn’t outdo themselves, another would come along and knock the other off its feet. It’s important to suspend some disbelief here, but that’s part of what makes these films so fun. The subway chase and the whole third act were really cool!

The additions of Phoebe Waller-Bridge as goddaughter Helena, Ethann Isidore as Helena’s sidekick Teddy and Antonio Banderas as old friend Renado, were excellent and fit right along the rest of the cast. While I didn’t find Mads Mikkelson’s Dr. Voller to be very menacing, he does a great job at portraying the villain so I almost didn’t even mind it. And with returning faces Jonathan Rhys-Davies as Sallah and the incomparable Ford himself, I had a great time.

To think that Indiana Jones and the Dial of Destiny is supposed to the last of the franchise doesn’t seem real. It has meant so much for so many people and although Ford says it’s time to hang up the hat, I think the legend of this character will live on forever. Is this film perfect? No, of course not. But it’s filled with a ton of nostalgia that fans will appreciate and that’s all that really matters.

Rating: ♥️♥️♥️