Now You See Me: Now You Don’t

It’s been ten years since we last saw The Horsemen, but they are finally back on our screens! New performers Charlie (Justice Smith), Bosco (Dominic Sesa) and June (Ariana Greenblatt) team up with the retired gang for a diamond heist unlike any other. Spanning multiple countries and high stakes magic tricks, they have to take on new villain Veronika Vanderberg (Rosamund Pike).

I love the first two Now You See Me films so much! When film number one came out I remember being completely enthralled in the idea of it; they took magic and amped it up by a million. While the second wasn’t as great, it was still a fun time. And although this third outing probably wasn’t necessary, I still enjoyed every single minute of it.

All the major players were back: Jesse Eisenberg as J. Daniel Atlas, Woody Harrelson as Merrit McKinney, Dave Franco as Jack Wilder and Isla Fisher as Henley Reeves reprised their roles and it was honestly like no time had passed. They still had such an effortless chemistry with one another and it looked like they were having a ball. I actually liked the new character additions. It made sense to introduce some fresh blood and they fit in well. Pike also completely smashed it as a bad guy. Her accent was not at all convincing, but I think that was supposed to be the point and it added some surprising comedy to her scenes.

I’ve heard some people say that there wasn’t as many full on magic tricks as before and while I can see where they are coming from, I do understand why they had to go bigger this time around. There was still the usual slight of hand and card tricks, but the scene in chateau in France was cool and the final trick came together in a way that I wasn’t expecting though I mean that in the best way possible.

Overall, Now You See Me: Now You Don’t may not have been the best in the franchise, but I still had a blast with it. I could literally watch a million of these films and never get bored of them so here’s hoping we get many more!

Rating: ♥️♥️♥️.5

The Electric State

Based on the graphic novel by Simon Stålenhag, The Electric State follows Michelle (Millie Bobby Brown), an orphan, whose life hasn’t been the same since the war. She teams up with a robot and a smuggler named Keats (Chris Pratt) to find her long lost brother who she presumed was dead.

Directed by the Russo brothers and boasted to be the most expensive Netflix project ever made, one would expect this film to be slam dunk. Unfortunately that couldn’t have been farther from the truth. While there were some glimmers of hope at the beginning, my interest in the film grew thinner and thinner as the time went on and I just didn’t really see the point anymore.

Where the film excels is in its special effects and cinematography. The various robots that the audience meets throughout come with their own individual personalities thanks to the voice talents of Anthony Mackie, Woody Harrelson, Ke Huy Quan and Jenny Slate. The world building was pretty impressive as well with the vast lands of a post apocalyptic United States. As the film took place in the nineties, I also loved the throwback songs that were featured throughout as it really helped set the tone.

Brown is great in everything she does. I’ve grown to admire her as an actor over the years and she does what she can with the role. I can imagine that talking one on one to a robot for most of the film couldn’t have been easy. I can’t help but think that Pratt is being typecasted in yet another Peter Quill sort of role. I’m also not a fan of his in general so I found watching his scenes to be a bit annoying. Stanley Tucci is supposed to be a villain, but I didn’t find him menacing whatsoever.

Pacing was also an issue for me. It felt kind of all over the place and I’m wondering if maybe it had been made into a show instead of a film would it have fared better? The same can be said about the characters. Aside from Michelle, we really didn’t have much backstory on Keats or Tucci’s Ethan Skate which left them rather one-dimensional. I also couldn’t figure out who the target audience for the film was supposed to be.

While I may not have had high expectations for The Electric State, I was still hoping it wouldn’t be that bad. I guess this is something that I should just expect from Netflix going forward though I really wish they would give us more quality films.

Rating: ♥️♥️

Triangle of Sadness

When you have the chance to watch La Palme D’Or in Cannes only multiple steps away from the famous theatre where it premiered, you drop everything and go.

When up and coming model Carl (Harris Dickinson) and influencer Yaya (Charlbi Dean) are invited to join a luxury cruise filled with millionaires and billionaires, they are thrust into a life they never knew was possible. What started as an Instagrammer’s dream come true quickly changes when a fatal storm leaves the passengers stranded on a deserted island.

This is certainly one of the most interesting films I have seen this year. The satire directed by Ruben Östlund perfectly encapsulates what the world is like in 2022. Everything was so dead on that I found myself nodding along throughout and cringing at those moments that I would rather we forget.

The way in which social hierarchies are depicted here was really well done. At the beginning of the film, Carl and Yaya are hoping to break into the world of glamour. This shifts when they board the yacht and realize that the level of opulence displayed by the fellow guests is unlike anything they’ve ever known. All bets are off after the storm as everyone, rich and middle class alike, have to fend for themselves and will do whatever they can to make that happen.

What makes the movie work so well is the colorful cast of characters. Our two leads are full of flaws and not very likeable, but Dickinson and Dean have great chemistry that make it work. Dean in particular was absolutely lovely; I kept forgetting that she passed away in August. From the Russian and his family (Zlatko Buric, Sunnnyi Melles and Carolina Gynning) to the Brits (Amanda Walker and Oliver Ford Davies) and the bachelor (Henrik Dorsin), there was never a dull moment when they were on screen. I only wish we’d had the chance to learn more about some of them. Then there was the crew led by Paula (Vicki Berlin), housekeeper Abigail (Dolly De Leon) and the alcoholic captain Thomas (Woody Harrelson) who rounded it all out perfectly.

Triangle of Sadness, or Sans Filtre, was one of the biggest surprises to come out of the year for me. Very telling of our time and with outrageous scenes that were sometimes a smidge too long, I would happily watch this movie again in the future. It was unlike anything I had ever seen before, but I mean that in the best way possible.

Rating: ♥♥♥♥♥

Venom: Let There Be Carnage

Eddie Brock (Tom Hardy) and Venom are back in the sequel to 2018’s Venom. This time around, Brock is trying to adjust to life as host to Venom, an alien species which gives him super human abilities, while attempting to get his career back on track. His best bet? Interviewing infamous serial killer Cletus Kasady (Woody Harrelson) before he is sentenced to death. But when an altercation breaks out between the two men, Kasady becomes the host to Carnage and breaks out of prison. Now it is up to Brock, with the help of ex-fiancee Anne (Michelle Williams) and her new beau Dan (Reid Scott) to save the world from Carnage before it’s too late.

I remember really liking the first Venom movie! It was funny, unique and different. I never understood why it was so underrated or why it wasn’t a part of the MCU (I still don’t. Anybody care to fill me in?) So when news broke about the sequel, I was thrilled. I couldn’t wait to see what shenanigans Brock and Venom found themselves in this time around.

The plot this time around seemed a lot tighter and to the point which I appreciated. I think it helped that the film was a bit on the shorter side because it didn’t allow for much room to go off course. Sometimes I complain that superhero movies are too long, so this was perfect for me! Because everything happened rather quickly, there was no time to waste and I was constantly engaged.

Brock and Venom’s back and forth banter were hilarious and I couldn’t stop laughing. It was also nice to see Brock becoming more familiar with having Venom around. Having Woody Harrelson as the villain was pretty interesting. I’m not used to seeing him in a role like that and I think he did a great job. Similarly, Naomie Harris who played Kasady’s girlfriend Francis added another bad guy into the mix.

Venom: Let There Be Carnage was an utter delight. I thoroughly enjoyed every minute of it and didn’t want it to end. It looks like they’ve set things up nicely for the story to go forward so fingers crossed we get more of our favorite duo sooner rather than later.

Rating:  ♥♥♥♥