Tag: AnthonyMackie

The Electric State

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Based on the graphic novel by Simon Stålenhag, The Electric State follows Michelle (Millie Bobby Brown), an orphan, whose life hasn’t been the same since the war. She teams up with a robot and a smuggler named Keats (Chris Pratt) to find her long lost brother who she presumed was dead.

Directed by the Russo brothers and boasted to be the most expensive Netflix project ever made, one would expect this film to be slam dunk. Unfortunately that couldn’t have been farther from the truth. While there were some glimmers of hope at the beginning, my interest in the film grew thinner and thinner as the time went on and I just didn’t really see the point anymore.

Where the film excels is in its special effects and cinematography. The various robots that the audience meets throughout come with their own individual personalities thanks to the voice talents of Anthony Mackie, Woody Harrelson, Ke Huy Quan and Jenny Slate. The world building was pretty impressive as well with the vast lands of a post apocalyptic United States. As the film took place in the nineties, I also loved the throwback songs that were featured throughout as it really helped set the tone.

Brown is great in everything she does. I’ve grown to admire her as an actor over the years and she does what she can with the role. I can imagine that talking one on one to a robot for most of the film couldn’t have been easy. I can’t help but think that Pratt is being typecasted in yet another Peter Quill sort of role. I’m also not a fan of his in general so I found watching his scenes to be a bit annoying. Stanley Tucci is supposed to be a villain, but I didn’t find him menacing whatsoever.

Pacing was also an issue for me. It felt kind of all over the place and I’m wondering if maybe it had been made into a show instead of a film would it have fared better? The same can be said about the characters. Aside from Michelle, we really didn’t have much backstory on Keats or Tucci’s Ethan Skate which left them rather one-dimensional. I also couldn’t figure out who the target audience for the film was supposed to be.

While I may not have had high expectations for The Electric State, I was still hoping it wouldn’t be that bad. I guess this is something that I should just expect from Netflix going forward though I really wish they would give us more quality films.

Rating: ♥️♥️

Captain America: Brave New World

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Sam Wilson (Anthony Mackie) is adjusting to life as the new Captain America. When he finds himself at the centre of an international incident, he must work with Thaddeus Ross (Harrison Ford) to find out who is behind these attacks and put a stop to them once and for all.

Mackie was excellent. I’ve always liked Sam as a character and I think that he donned his new title effortlessly. He was never trying to be Steve Rogers; he just wanted to be himself. I loved his friendship with Joaquin Torres (Danny Ramirez). Their banter was playful and fun. It really had that sibling feeling to it. The introduction of Ruth Bat-Seraph (Shira Haas) was a welcome one and I’m looking forward to seeing more of her in the future.

Unfortunately some of the other characters were underused. I was so much looking forward to seeing Ford hulk out. To say I was disappointed with that part of his storyline is an understatement. I feel like he would have been a more interesting villain than Tim Blake Nelson as Samuel Sterns. I also wish we’d had more time with Carl Lumby who played Isaiah Bradley and Giancarlo Esposito who portrayed Sidewinder.

While the action sequences and special effects were decent, there were times throughout where I felt like the quality of the shots were grainy. Maybe that is what they were going for, but it was distracting. Additionally, the storyline itself was also a bit clunky. I didn’t really understand a lot of what was going on. I do think that watching The Incredible Hulk, The Falcon and the Winter Soldier and The Eternals beforehand is helpful.

Overall, I went into Captain America: Brave New World with very little expectations. There was just something about it that I wasn’t excited about. I’m glad this was the way I approached it because I was able to enjoy it more. That being said, I still wasn’t completely sold. It’s not the worst of Marvel’s offerings, but it certainly isn’t one of the best. I’m hoping the next two instalments of the year are better.

Rating: ♥️♥️.5

We Have A Ghost

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If Casper had a baby, it would be We Have A Ghost. Based on the short story Ernest by Geoff Manaugh and adapted into a film by Christopher Landon, the film follows the Presley family who move into a dusty old home that just so happens to inhabit a ghost. Youngest son, Kevin (Jahi Winston) isn’t afraid however and the two strike up a friendship. Unfortunately Kevin’s dad Frank (Anthony Mackie) gets himself in too deep, looking to turn the ghost into a social media sensation.

David Harbour as the phantom Ernest and is truly the soul of the movie. As he isn’t actually able to speak, each emotion is conveyed by facial expressions. I thought this would get tiresome, but it just goes to show that Harbour was a great choice for the role. The relationship that formed between Ernest and Kevin carried the film; Kevin considers Ernest to be just a regular guy and is totally devoted to helping him.

The rest of the cast do a decent enough job. Mackie, in an unlikable role as a father who just doesn’t seem to really get it, is convincing. It was also a lot of fun to have the incomparable Jennifer Coolidge as psychic Judy Romano. She wasn’t featured in many scenes, but when she was on screen, she shone bright. Unfortunately I cannot say the same for Tig Notaro who once again seemed out of place in a subplot that I didn’t quite feel was necessary.

While the pacing was a bit all over the place, especially in the second half, and I did not understand the point of the CIA storyline, there was something heartwarming about We Have A Ghost. I’ve always loved the found family trope and this time around was no exception. This may not be a movie I’ll be running back to watch anytime soon, but it was one I had a good time with in the moment.

Rating: ♥️♥️♥️

The Woman in the Window

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The Woman in the Window was one of my most anticipated films of the year. I read the book by A.J. Finn at the very beginning of the pandemic in preparation for the big screen release. As we all know now, the date was pushed back and the rights were ultimately bought by Netflix. You can imagine the build up and excitement that I have harboured ever since. I couldn’t wait to sink my teeth into it this weekend!

Anna Fox (Amy Adams), is a psychologist who has recently separated from her husband. She lives in their New York City home with her cat Punch where she sees a therapist on the regular for her agoraphobia. Since she doesn’t go outside, Anna often finds herself spying on her neighbours, assuming that she will never have to come face to face with them.

One day, new to the area Jane Russell (Julianne Moore) from across the street appears on her doorstep. The two form a bond over a game of gin and a couple bottles of wine. So, when Anna witnesses a violent incident happening to Jane through her window, who will believe her? Nobody saw them together and to make matters worse, Anna usually washes her medication down with alcohol altering her perception of reality. Not to mention the fact, that it appears Jane Russell (Jennifer Jason Leigh) seems to be alive and well, except she is not at all who Anna met that night.

Let’s start with the good. I thought the casting choices were well done. While I am not usually a fan of Amy Adams, I actually thought her portrayal of Anna was spot on. That was exactly how I imagined the character while reading about her a year ago. Julianne Moore as Jane was uncanny and the two had great chemistry together. Having Gary Oldman as Jane’s husband Alistair and Fred Hechinger as their troubled son Ethan were perfect additions. Rounding out with Wyatt Russell as Anna’s tenant David, Brian Tyree Henry as Detective Little and Anthony Mackie as Anna’s husband Ed, there are a lot of familiar faces to appreciate.

I enjoyed the twists and turns along the way. Despite knowing what they were going to be, seeing the reveals occur on screen was still satisfying. The pacing, while slow to start, was necessary for the film and helped set the tone. It was creepy and kept me on the edge of my seat which is really all that I could want from a thriller.

Unfortunately, as is customary with every book to movie adaption, some scenes just do not make the cut. Most of the time, these changes are necessary and I can understand them. This time around, however, there were two plot points in particular that I felt were integral to the story and therefore should have been included. I truly believe if they were added in that everything would have been fleshed out more.

At the end of the day, I am still happy that I finally had the chance to watch The Woman in the Window. It may not have been entirely what I was expecting, but I did like it for what it was.

Rating: ♥♥♥