BodhiRaeBreathnach – Credits Rolling

When the Dashwoods are forced to move out of their family estate, they find solace in a humble cottage in the country. Three sisters Elinor (Daisy Edgar-Jones), Marianne (Esmee Creed-Miles) and Margaret (Bodhi Rae Breathnach) embark on a journey of love, heartbreak and self discovery while in their new surroundings.

Author Jane Austen has had her work adapted for the screen time and time again. Sense and Sensibility, on its own, has been made into three television series and two feature films! Sometimes these updated versions are unnecessary, but because I am a big Austen fan, I was curious to see director Georgia Oakley’s take on the classic.

I know I read the book, but this was a while ago now and I cannot remember much. It’s not one of the ones that I am overly familiar with and as a result I went into the film with a fresh pair of eyes. I felt like this was the best way to do it as well because I was able to fully immerse myself in this version of the film. I was worried it wouldn’t grip me or that I would find it difficult to follow though that wasn’t the case at all.

A good romance is supposed to make you feel absolutely everything. Butterflies in your stomach, sweaty palms and above all the hope that the characters you are rooting for will end up together. At the centre of the story is the relationship between Elinor and Edward Ferrars (George MacKay). The will they won’t they was enough to make me want to rip my hair out because I honestly did not know how they were going to end up. There’s just something so innocent about love during this time period that hits differently. Marianne, on the other hand, captured the heart of two suitors – Colonel Brandon (Herbert Nordrum) and Willoughby (Frank Dillane). Her journey was the opposite of her older sister’s and it really made me feel sorry for her.

At the core of it all, however, is the depiction of sisterhood. While the film focuses more on the experiences of Elinor and Marianne, Margaret is still very much apart of the events that occur. Their bond is unlike any other and while they may disagree at times, they are always there for one another and really help build the other up in their time of need. I enjoyed the simpler scenes when Elinor and Marianne would be chatting in their bed chambers or when Elinor would spend time with Margaret in the fields close to their home.

Up until now, the 2005 version of Pride and Prejudice starring Keira Knightley was my favorite of Austen’s adaptions. I think that Sense and Sensibility has come very close to that. It really was beautifully done from its phenomenal casting choices (I mustn’t forget to mention Fiona Shaw’s scene stealing performance as Mrs. Jennings), to the breathtaking landscapes of the countryside and the sweeping score that really helped set the tone of the film. I know I was a bit late to the party with this one, but I am so glad I made time for it.

Rating: ♥️♥️♥️♥️

Based upon the book by Maggie O’Farrell, Hamnet follows the story of Agnes (Jessie Buckley) and William (Paul Mescal) Shakespeare. It’s the 16th century and Agnes is a healer by trade. William is a tutor and aspiring playwright. They meet, fall in love and have three children. But when their son Hamnet (Jacobi Jupe) dies unexpectedly, they are struck with a grief unlike any other. Now more than ever they must stick together to get through this devastation.

Despite not reading the source material, I was still very excited to see this come to screen. As a result, I can’t say if this is a faithful adoption. I am, however, a big Shakespeare fan and I feel like that had to count for something. While I knew more or less the plot and how these events paved the way for Shakespeare to write one of the greatest tragedies of all time, I had no idea exactly what I was in for.

This is without a doubt Buckley’s film. Her portrayal of Agnes was raw and heartbreaking. The way in which she completely gave herself over to this role was a spectacle to behold. Every word, breath, scream and expression was perfectly executed and if she doesn’t get the Oscar then I don’t know what to think anymore. Mescal delivered a performance of masculinity and vulnerability. He showed a range that I did not know he was capable of and I applaud him for it. I was also very impressed with the actors who starred as the Shakespeares’ children. Susanna (Bodhi Rae Breathnach), Judith (Olivia Lynes) and Hamnet himself each did a brilliant job. Little Jacobi Jupe captured my heart, tore it out of my chest and then proceeded to stop all over it.

I’ll admit I was a bit nervous going into this. I had a feeling that it would be a bit on the slower side. Although that is true, it did not deter my enjoyment. In fact, there was simply no other way that it could have been. There were no special effects, no gimmicks. Everything is done deliberately and with purpose. To be able to witness to these characters and to watch their story unfold on its own terms was an honor. In addition, the cinematography was stunning and the score helped tie it all together.

At its core, Hamnet is a story about humanity. The way in which it explores grief, love and memory is done expertly. The film more than exceeded my expectations and left me in tears. I don’t think I have ever felt so devastated and yet totally rewarded after watching a film before, but that is exactly what happened. I highly recommend checking it out.

Rating: ♥️♥️♥️♥️♥️