Tag: Netflix

Heart Of Stone

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In Netflix’s latest attempt at jump starting an action franchise, Heart of Stone follows Rachel (Gal Gadot), an intelligence operative, who is racing to stop a hacker from stealing her agency’s most valuable and powerful weapon. With global chase sequences, hijinks and some twists and turns, it’ll be her most trying mission yet.

There is so much that went wrong here that it would be impossible to list it all down. I’m starting to think that once I’ve seen one of these films, I’ve seen them all. They are generic and predictable and not in a good way. This time around we had a bunch of action movie tropes thrown into one. As a result it didn’t make much sense and proved to be very confusing. I still don’t really understand what the plot was!

I will say that a few of the fight sequences were entertaining at least. The first one comes to mind, right at the beginning of the film, and sets the tone going forward. I also thought the scene in Lisbon was exciting as it had a lot going on.

With Gadot leading the pack, it could have really gone either of two ways. I personally like her as an actress, but I do not think she was given great material here. Thanks to a wooden and cliched script, her delivery was often off. Jamie Dornan, who I usually love, was kind of annoying and while I’d initially been so looking forward to seeing Matthias Schweighhöfer in something new, I wasn’t sold. Even with the likes of Sophie Okonedo as ringleader Nomad and Alia Bhatt as the hacker herself in her first ever Hollywood role, it all just fell short.

I don’t know what Netflix has been doing lately, but it isn’t putting out good movies. Heart of Stone was such a disappointment, I don’t even know why I bothered. Sometimes it’s not enough to watch something just for the actors who star in it. I’ll have to remember that going forward.

Rating: ♥️.5

The Outlaws

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I don’t think I’ve ever given a movie one heart before, but I guess there’s a first time for everything.

The Outlaws, Netflix’s newest comedy/thriller offering, follows Owen Browning (Adam Devine), a straight-laced banker who is getting ready to marry the love of his life Piper (Nina Dobrev). It’s all going according to plan when his bank is held up by the infamous Ghost Bandits. Putting two and two together, Owen starts to believe it may be his future in laws (Pierce Brosnan and Ellen Barkin) who just so happened to arrive in town for the wedding.

I wanted so badly to like this film. It boasts an incredible cast and the trailer looked funny though I should have known better. How many times have I been duped before by big names just to get traction? The only shining lights for me here were Brosnan and Barkin who, while I still don’t have a clue why they’d star in something like this, did what they could to carry things along. In addition, Richard Kind and Julie Hagerty, who starred as Owen’s parents, had some great one liners and managed to steal the scenes they were in.

Devine, on the other hand, was so incredibly annoying that I had to force myself not to mute him. The high pitched screams and his mannerisms were way too over the top that it simply did not work. I can’t help but wonder if the film would have been better without him in it. And I wish I could say that Dobrev was a saving grace too, but she was kind of sidelined throughout. Even with the likes of Michael Rooker as Agent Oldham and Poorna Jagannathan as fellow bad guy Rehan, it was a lost cause.

In addition to the mismatched cast and over the top shenanigans, the movie itself was just not funny. A few of the so called jokes may have got me to chuckle, but only halfheartedly. As for the thriller element? There was none. Right from the get go you know what’s going to happen. Sometimes that’s a good thing though it wasn’t the case here.

I truly feel like The Outlaws is one of the worst movies that I have ever seen. It wasn’t funny, it was way too predictable and the cast made no sense whatsoever. Although I kept it on in hopes that it’d get better, I should have listened to my gut instinct and either switched it off halfway through or never given it a shot in the first place. I know that Netflix are notorious for the questionable quality they put out sometimes – I’m starting to think they should make some better decisions.

Rating: ♥️

Murder Mystery 2

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Sometimes a movie sequel will come along and not only meet the expectations of its predecessor, but can actually surpass it too. Unfortunately this was not the case with Murder Mystery 2.

Now full time detectives, Nick (Adam Sandler) and Audrey (Jennifer Aniston) are struggling to get their PI business off the ground. When they are invited to their friend, the Maharajah’s, (Adeel Akhtar) wedding to Claudette (Mélanie Laurent) on a beautiful private island, they think it’ll be a much deserved vacation. But trouble finds them when the Maharajah is kidnapped. Suddenly everyone is a suspect and it is up to the Spitzes to solve the case.

It has been four years since the first caper was released and I remember being surprised as to how much I enjoyed it. The chemistry between Sandler and Aniston was palpable and the mystery was interesting enough to keep me entertained the whole way through. When I heard that they were making a sequel, I wasn’t even hesitant about it because I figured it’d be more or less the same fun time I had before. Unfortunately, as it just so happens, I should have had some reservations after all.

First of all, the pacing here was way off. It took forever for something exciting to happen and in between all the crazy car chases and explosions were some unneeded filler that simply wasn’t necessary. I wasn’t as invested in the overall mystery this time around either and could not get behind rooting for any of the other players in the story, even if one of them was portrayed by Mark Strong.

Even the antics of Nick and Audrey weren’t as authentic as before. The slapstick comedy was turned up a few notches too high, making it more annoying than charming and I wanted to turn it off on more occasions than one.

Netflix films are notorious for being less than stellar, but this is one of the worst ones I have seen to date. Everything about it just felt wrong. It was a slog to get through, the comedy wasn’t funny at all and the whole act just felt tired. I know that they kept things open for a potential third instalment, but I really hope they decide against it.

Rating: ♥️.5

We Have A Ghost

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If Casper had a baby, it would be We Have A Ghost. Based on the short story Ernest by Geoff Manaugh and adapted into a film by Christopher Landon, the film follows the Presley family who move into a dusty old home that just so happens to inhabit a ghost. Youngest son, Kevin (Jahi Winston) isn’t afraid however and the two strike up a friendship. Unfortunately Kevin’s dad Frank (Anthony Mackie) gets himself in too deep, looking to turn the ghost into a social media sensation.

David Harbour as the phantom Ernest and is truly the soul of the movie. As he isn’t actually able to speak, each emotion is conveyed by facial expressions. I thought this would get tiresome, but it just goes to show that Harbour was a great choice for the role. The relationship that formed between Ernest and Kevin carried the film; Kevin considers Ernest to be just a regular guy and is totally devoted to helping him.

The rest of the cast do a decent enough job. Mackie, in an unlikable role as a father who just doesn’t seem to really get it, is convincing. It was also a lot of fun to have the incomparable Jennifer Coolidge as psychic Judy Romano. She wasn’t featured in many scenes, but when she was on screen, she shone bright. Unfortunately I cannot say the same for Tig Notaro who once again seemed out of place in a subplot that I didn’t quite feel was necessary.

While the pacing was a bit all over the place, especially in the second half, and I did not understand the point of the CIA storyline, there was something heartwarming about We Have A Ghost. I’ve always loved the found family trope and this time around was no exception. This may not be a movie I’ll be running back to watch anytime soon, but it was one I had a good time with in the moment.

Rating: ♥️♥️♥️

Your Place Or Mine

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It’s as if I woke up in the early 2000s because Reese Witherspoon and Ashton Kutcher are starring in a rom com again!

Your Place Or Mine sees Debbie (Reese Witherspoon) and Peter (Ashton Kutcher) who, after After spending the night together, decided they were better off as friends. Best friends. Twenty years later and they are still very much involved in the others’ lives. She lives with her son Jack (Wesley Kimmel) in LA while he dedicates his time to work in New York. When Debbie needs someone to look after Jack so she can attend a course, Peter hops on the first flight out to help. This week away will shed light to their relationship, however, causing them to rethink everything.

This movie couldn’t have come out at a more perfect time. It reminded me of films from the genre of years gone by and I mean that in the best way possible. There were some tongue in cheek moments, as well as some laughs scattered throughout that worked. I enjoyed both Debbie and Peter’s separate storylines. It was nice to see Debbie, who is usually so uptight and worrying about Jack being able to let her hair down with new friend Minka (Zoe Chao) and a potential beau in Theo (Jesse Williams). Meanwhile, Peter sees how tough Jack has had it and does what he can to break him out of his shell a bit more, all while dealing with Debbie’s hippie neighbor Zen (Steve Zahn).

Where this film went wrong for me was in its casting choices. I just didn’t buy Witherspoon and Kutcher’s chemistry. Whether it was platonic or romantic, something seemed off between the two of them. I believe they each should have gotten their own romantic comedy because it’s a genre they’re both good at, but with different partners. It was also surprising to see Tig Notaro as their mutual friend. It felt kind of random to me.

Don’t get me wrong. I still think that Your Place Or Mine is worth a watch. I had a good enough time with it and I still think it’s a great addition for your Valentine’s Day rotation. It just didn’t entirely work for me.

Rating: ♥️♥️.5

2022 Wrap Up

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I’m not sure if it’s just me, but I feel like the years go by faster as I get older.

2022 was another great year of movies. With some memorable visits to the theatre where my auditorium cheered during a viewing on opening day of Top Gun: Maverick to seeing Triangle of Sadness in Cannes, steps away from where the famous film festival takes place, this year will go down in the history books for me.

Moving back to Europe did change the way in which I ran this blog. Usually due to where I was at a certain point in time or the fact that certain films were released on different days was something I needed to adjust to. At least I was always able to fall back on my streaming platforms! All that being said, I look forward to what 2023 will have in store.

Without further ado, here are my top five best and worst films of the year:

Best:

  1. The Menu
  2. Triangle of Sadness
  3. Top Gun: Maverick
  4. Glass Onion: A Knives Out Mystery
  5. Black Panther: Wakanda Forever

Worst:

  1. Deep Water
  2. Pinocchio
  3. The Weekend Away
  4. Disenchanted
  5. Roald Dahl’s Matilda The Musical

Roald Dahl’s Matilda The Musical

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Based on the stage musical of the same name, Matilda (Alisha Weir) is an updated version of the classic 90s version. The story of an incredibly smart girl with a wild imagination, she’s misunderstood by her parents (Stephen Graham and Andrea Riseborough) and sticks to her books. It isn’t until she starts attending Crunchem Hall that she meets Miss Honey (Lashana Lynch) who can see her full potential.

I’d been debating checking this out for some time now. Having actually seen the musical in London, I more or less knew what to expect going into it. I remember feeling letdown and wondered how I would fare with the movie version of it. While there were some strong points, it mostly fell flat for me.

The first bright spot in the film was it’s casting. Weir made the role of Matilda her own. I found myself rooting for her throughout and actually really enjoying her performance. I liked the fact that Lynch was for Miss Honey. The only aspect that I wish had been fleshed out some more was her relationship with Matilda. I kept comparing theses scenes to the ones that the two characters shared before. At the end of the day, however, it was Emma Thompson as Ms. Trunchbull who shined the brightest. Had she not been in the film, I probably wouldn’t have bothered watching it.

In true musical fashion, the songs and choreography scenes were well done. Matilda’s opening song of Naughty was one of my favorites, as was the Revolting Children group number at the end. The rest, unfortunately, were not very memorable. On top of that, the set locations, particularly in the scenes where Matilda would tell her stories, were aesthetically pleasing to look at.

I think my problem with the film, aside from the fact that I was already hesitant because of my prior experience with it, was the fact that I simply love the original too much. I understand that this version is closer to the source material being more on the darker side, but I grew up with the other and couldn’t see past it.

Rating: ♥♥.5

Guillermo Del Toro’s Pinocchio

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By now we should know the story of Pinocchio, a wooden puppet, who was magically brought to life. After all, this is the third adaption that we’ve had this year alone. And how can we forget the original 1940’s Disney classic? So I won’t bore you with the plot details. What I will say is that there was a lot of hype surrounding Del Toro’s version as it was considered to be the most unique of them all. I can’t say that I disagree!

The best part, hands down, has to be the way in which this was filmed. Stop motion animation is something that we don’t get to see all too often anymore. To have this featured throughout was so refreshing and interesting that it kind of took my breath away at times. Seeing each character, location and object come to life in this way was really cool.

All the characters that we know and love were brought to life by some wonderful voicing talents. Ewan McGregor as Cricket was by far my favorite, who served not as Pinocchio’s guide and conscious, but also the narrator of the story. Alongside him were David Bradley as Geppetto, Cate Blanchett as Spazzatura, Christoph Waltz as Count Volpe and Tilda Swinton as Wood Sprite. Each brought something special to their roles.

Before settling in to watch, it is important to keep in mind that this version of Pinocchio is very different than anything we’ve seen before. There is a much darker element that I wasn’t quite prepared for. In some ways it worked – for example, learning about Geppetto’s life with his son Carlo and the horrific way in which he died added some oomph to the story and broke my heart into a million pieces. But there were other areas in which I thought it was overdone.

I don’t know what I expected going into Guillermo Del Toro’s Pinocchio, but it wasn’t what we got. There were some aspects that I really enjoyed and overall I do believe it’s the best adaptation we’d had this year. That being said, I spent a lot of the movie feeling confused. Who was the target audience supposed to be? At times it felt it was geared towards children, but then there were scenes that even I’m sure will give me nightmares. I also don’t think setting it in fascist Italy worked as well as it could have.

My opinion may be an unpopular one, but oh well. Maybe I’m just ready for an entirely different Disney classic to be adapted.

Rating: ♥♥♥

Slumberland

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For as long as she’s been alive, it was Nemo (Marlow Barkley) and her father Peter (Kyle Chandler) against the world. Living in a lighthouse on a little island, they didn’t need anyone else but each other. So when Peter is lost at sea one night after a horrific storm, Nemo’s life is turned upside down. Having to leave behind the only home she’s ever known, she goes to live with her uncle Phillip (Chris O’Dowd) in the big city. Adjusting to her new normal is no easy feat; all she wants is to be reunited with her dad. That dream becomes a reality when, at night, she finds herself in Slumberland, a magical place where anything is possible.

I was originally going to give this film a miss, simply because when it came out, I had four other movies I needed to watch. But then I found myself with nothing to do this weekend, I figured why not check it out after all? The premise sounded interesting enough, it was filmed in Toronto and Jason Momoa was in it. That seemed like more than enough reasons for me.

The cinematography was stunning. The various locations that Nemo visited on her dream quest were ever-changing. They always offered something new and exciting and I’d find myself wondering where we would be transported to next. Larger than life outlaw Flip (Momoa) not only served as a guide to Nemo, but also helmed a colorful cast of characters.

What I thought would be an average run of the mill movie about a girl on an adventure soon turned into something else entirely. Yes, a large part of the film is just that, but there was more to it too. At the end of the day, Slumberland is about loss and how we deal with it. As a child, it’s difficult enough formulating thoughts and feelings, but learning how to deal when someone we love is no longer with us is a completely different matter. Unfortunately I could relate to Nemo all too well as I also lost a parent when I was young. Perhaps if a movie like Slumberland had been around for me at the time, it would have helped me.

Rating: ♥♥♥.5

Christmas With You

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Pop star Angelina (Aimee Garcia) used to be on top of the world, but she hasn’t felt that way lately. When the head of her label suggests she write a Christmas song, Angelina is beside herself. Ever since her mom passed away a couple years ago, she’s struggled to find the holiday spirit. But when she stumbles upon a video of one of her fans on social media, Angelina feels her luck may be changing. Cristina (Deja Monique Cruz) and her dad Miguel (Freddie Prince Jr.) are surprised when the superstar seeks them out. Learning that Miguel writes music, Angelina believes that all her problems will soon be over.

I had high expectations for my second Christmas film of the season, though if I’m being honest, I really wanted to watch this because of Freddie Prinze Jr. My teenage heart could hardly contain itself when news broke that he was finally coming back to the silver screen. A heartthrob then and now, I enjoyed nothing more than being able to watch him for an hour and a half uninterrupted.

Having previously starred in Netflix’s Lucifer, being able to see Aimee Garcia in something new was a treat. The role of Angelina could have been an interesting one, but at times I felt like something was missing. It was as if the emotions weren’t as genuine enough and her lines didn’t quite meet the eyes. At least she can sing! I wish she had better chemistry with Prince Jr. too. The familial relationship between Miguel, Cristina and Frida (Socorro Santiago) was fine enough, but it felt all too familiar after having just watched Falling For Christmas a week ago. That being said, I did appreciate the heavy Latino influences and learning more about a quinceanera. Additionally, the role of Monique (Zenzi Williams), Angelina’s dutiful assistant provided some much needed comedic relief.

Christmas With You had all the ingredients for a fabulous holiday movie and while there were some cute moments, I expected more. The fact that the storyline was very similar to this year’s Marry Me didn’t help as that was such a home run for me.

Rating: ♥♥