OliviaWilde – Credits Rolling

The Invite, directed by Olivia Wilde, is the type of film where you think you know what is going to happen, but it ends up being something else entirely. Going into it as blindly as possible is best because it allows the audience to fully immerse themselves in all that is about to unfold. Even then, nothing can prepare you for what’s to come.

Joe (Seth Rogan) and Angela’s (Olivia Wilde) marriage is on thin ice. When they invite their elusive neighbors Pina (Penelope Cruz) and Hawk (Edward Norton) upstairs for a dinner party, the evening escalates into something neither of them could have ever expected.

There couldn’t have been a better choice for each of these characters. They became these flawed and colorful individuals; everything about their performances was just effortless. Rogan brought his usual funny guy schtick, but this time with a self deprecating flair. His one liners and facial expressions had me cracking up. Wilde, who pulled double duty, was phenomenal. A true mix of comedy and heartbreak, she really gave it her all. Cruz exuded her usual allure and sex appeal while Norton smashed it as the strong, but silent type. The chemistry between the four of them was electric and I could feel it all the way through.

We all know how much I love a locked room setting and this one was no exception. Tensions, emotions and all that’s in between were at a fever pitch. It started slowly though it was obvious that something was brewing under the surface. As it continued to grow, those feelings only intensified. Thanks to the brilliant performances and the impeccable script by Rashida Jones and Will McCormack, this only made the entire experience better.

Let’s get one thing straight – The Invite packed a punch. I’ve been thinking non-stop about it since and that’s because it has so many layers to it. At the end of the day, the reason why it resonated with me so much is because it’s about how being an adult is reconciling with who you truly are with who you actually wanted to be. I know I’ve hit that point in my life and I’m sure many of you have too. So, because of that reason, I implore you to watch this film. It may just be my favorite of the year so far.

Rating: ♥️♥️♥️♥️♥️

Welcome to Victory, an experimental living community, where the sun is always shining, the houses are vast and the lawns manicured. Young couple Alice (Florence Pugh) and Jack (Harry Styles) have the perfect life. When he goes off to work every day, she tends to the housework and prepares a nice dinner for him. But Victory isn’t as it seems and as the cracks start to show, Alice questions everything she thought she knew.

One of the most anticipated films of the year, Don’t Worry, Darling is the second film in Olivia Wilde’s directorial portfolio. Even after all the controversy, I knew I had to put that out of my head in order to focus on the bigger picture.

Everyone has been saying that Florence Pugh carried this movie on her back and they aren’t wrong. She is a force to be reckoned with. Her performance as Alice was absolutely captivating. You felt for her the whole way through. I can’t say the same about her male counterpart in Styles though. He was decent enough, but his fluctuating accent was distracting and it was as if he couldn’t keep up with Pugh.

The rest of the cast members were interesting enough though I wish we could have had more time with some of them. Frank (Chris Pine) was the most fleshed out. There was something charming yet sinister about him that I couldn’t put my finger on. I missed a lot from Bunny (Olivia Wilde) and her husband Dean (Nick Kroll) who are Alice and Jack’s neighbors. Addiotionally, Shelley (Gemma Chan), Frank’s wife clearly had more to tell.

I was one of those people who did not see the big twist coming. While not at all original, I did like the reveal. The explanation was too quick and that hindered the shock factor, but it didn’t take away from the movie for me. This is definitely one that left me thinking.

Rating: ♥♥♥.5