Look Both Ways

Netflix’s newest romcom Look Both Ways features Lili Reinhart’s Natalie Bennet who has always stuck close to her five year plan. Graduate college, move to LA with her best friend Cara (Aisha Dee) and land her dream job in the animation industry. On the night of her graduation, she takes a pregnancy test and her life suddenly splits in two. In one scenario, events unfold as if the test was positive where Natalie decides to keep the baby and raise them with the father Gabe (Danny Ramirez). In the other, Natalie does go to LA where she not only lands a great job, but a great guy too.

Now that Riverdale is approaching its last season, it is nice to see Reinhart star in something new. After her first foray into film with Chemical Hearts, I have to say that I enjoyed her in this movie much more. In addition to acting, she also produced the film and you can tell that she gave it her all.

The storyline itself is rather simple and straightforward. There aren’t any special effects or crazy plot twists that occur, but that doesn’t make it boring either. It actually made for a pleasant viewing experience because I didn’t have to pay too close attention and I was still able to follow what was going on. The events that transpired throughout were also realistically done.

But what I liked the most about the film was seeing how both stories, though completely different, did not out-weight one another. Just because Natalie had a baby in one storyline didn’t mean she wouldn’t be more successful or less happy than the storyline in which she went to LA, got a job working for her idol (Nia Long) and met the man of her dreams (David Corenswet). Both had their ups and downs and worked out the way they were supposed to. It was refreshing to have this take portrayed on screen.

If you are looking for a cute and easy going romantic comedy to laze around to one afternoon, I recommend watching Look Both Ways. It’s certainly one of the better films in the genre that I have seen lately.

Rating: ♥♥♥

Purple Hearts

Cassie Salazar (Sofia Carson) and Luke Morrow (Nicholas Galitzine) couldn’t be more opposite from each other if they tried. Cassie, a singer/songwriter, works every odd job in order to afford her diabetes medicine while Luke has decided to enlist in the military after a stint in rehab. Deciding to get married solely for the benefits they would both receive, the two believe their arrangement won’t last for longer than a year. But when Luke is injured in battle, everything changes.

To think I almost missed out on this movie. I wasn’t expecting much from it because, you know, Netflix. Their films have been more miss lately than hit and I didn’t want to be disappointed. But I was in the mood for something romantic and this totally fit the bill. I have to say it actually exceeded my expectations in more ways than one and I’m still surprised over how much I liked it.

Carson and Galitzine shined together as the two leads. Their chemistry was palpable from their first scene in the bar and didn’t let up for one second. I liked how it was slow burn and how they really got to know each other before their feelings developed on a deeper level. The fake relationship trope was well done here, much to my delight.

While the film was predictable, I have to say that that didn’t deter my enjoyment of it. Sometimes it’s nice knowing that there will be a happy ending. It’s all about the journey that takes you there. I would have appreciated more in the final act, however. All the loose ends were tied up rather quickly and a bit too perfectly for my liking. There were certain conversations that should have been had, like between Cassie and her mother, that would have added a little more beef.

Overall, Purple Hearts was probably one of the biggest surprises I’ve had in a long time. I went into it not expecting anything and was really touched when it was done.

Rating: ♥♥♥.5

The Gray Man

After uncovering top secret agency secrets from the CIA, agent Six (Ryan Gosling) finds himself on the run. With the help of Dani Miranda (Ana De Armas), he must escape time and time again from former agent Lloyd Hansen (Chris Evans) who will stop at nothing until Six is dead.

Once upon a time, I used to look forward to action movies. They aren’t my favorite genre by any means, but as long as there is a good balance between the fight sequences, explosions and the overall storyline, I can usually get behind them. Unfortunately I cannot say that The Gray Man falls into this category. I was excited for this one too as it was set up by Netflix to be the next big summer blockbuster. Alas, it fell short.

The only good part about the film was a few of the cast members. I couldn’t even tell you the last time I saw Ryan Gosling in anything, so it was refreshing to have him back on my screen. I also loved seeing Ana De Armas again, who always brings her A game. While the movie boasted other large names such as Alfre Woodard, Regé-Jean Page, Billy Bob Thornton and Chris Evans, I have to say that they delivered less than stellar performances. I was stoked to hear that Page, Netflix protégé, was cast in something after Bridgerton. His scenes were lacklustre and his accent pretty terrible. And then there was Evans, who I am beginning to think is taking after Ryan Reynolds in that he plays himself. I liked seeing him portray a villain, although he was over the top and whiny. And what was up with that moustache?

I wish I could say the action itself was entertaining, but that would be a lie. There was way too much CGI and the fight scenes were repetitive, they just took place in different locations. I understand the purpose behind it and maybe it’s some people’s cup of tea. It just wasn’t mine. I wish there’d been more beef behind the scenes to make me care more about what was happening.

While The Gray Man seemed to be so very promising, I was massively let down by its execution. Sometimes, watching a movie for its stars is just not enough for me anymore.

Rating: ♥.5

Persuasion

Anne Elliot (Dakota Johnson) has always been underestimated by her father Walter Elliot (Richard E. Grant) and sister Elizabeth (Yolanda Kettle). Believing they know best, they persuaded her not to marry the love of her life, Captain Frederick Wentworth, eight years ago. When Wentworth comes back into Anne’s life, however, sparks the internal struggle of moving forward with her life or giving him a second chance.

Loosely based off of Jane Austen’s final novel Persuasion, this adaption has sparked controversy with die hard fans. Over the years, there have been various versions of Austen’s work, particularly when it comes to Pride and Prejudice, Emma and Sense and Sensibility. While some have closely followed the source material (the Keira Knightley version of the former from 2005 rings a bell), others were a more modernized retelling (the now classic Clueless).

I, for one, was very much looking forward to this new version. I knew going into it that Netflix was giving it a new life and that was a welcome change. I liked the updated script and the fact that Anne interacted with the audience. It kept me totally invested in what was happening and like I was a part of the story too.

Dakota Johnson shined in the role of our protagonist. Her honesty and vulnerability was refreshing to watch. Another exceptional performance came from Mia McKenna-Bruce who played Anne’s younger sister Mary. Her spoiled brat ways could have come across as cringy but instead was anything but. I only wish the same could be said for the male leads. Cosmo Jarvis was fine, though nothing extraordinarily memorable and I wish we’d had more time with Henry Golding’s Mr. Elliot. He was brought it way too late in the game I almost didn’t see the point.

An Austen fan through and through, I was perfectly content with this new version of Persuasion. While it has been ages since I read the book, I was happy with it’s make over. It had everything I could have wanted: longing stares, witty banter, beautiful landscapes and stunning costumes that made me seriously question whether or not I was born in the correct century. Don’t let the negativity deter you – give this one a go!

Rating: ♥♥♥.5

Senior Year

Everyone knows Stephanie Conway (Angourie Rice). Popular, smart, head of the cheerleading squad and dating the hottest guy in school, she is a shoe in for Prom Queen. But when a cheerleading stunt goes terribly wrong at the school pep rally, she falls into a coma. Twenty years later, Steph (Rebel Wilson) wakes up to a whole new world. Believing she cannot move on with her life, she decides to go back to high school to claim that prom title once and for all.

Like many of the films Netflix puts out, my expectations are never very high. I had to learn that the hard way. Maybe that’s why I ended up liking Senior Year as much as I did. It was exactly the type of movie I needed to indulge in this weekend.

The best part of the whole thing was the soundtrack. I was immediately transported back to the early 2000s with all the songs I used to love listening to on repeat. Who else still remembers the lyrics to Sk8er Boi and Candy? Each scene was perfectly paired with a nostalgic throwback that, paired together with the timeless butterfly clips and bell bottoms, made my heart soar.

Another positive came about with the movie’s humor. Rebel Wilson is known for her comedic chops and this was no different. After discussing it with my husband, we decided that she is the female Ryan Reynolds as she tends to play herself, but that’s all part of her charm. Thanks to the rest of the cast, the laughs kept coming.

I had no idea there would be so many familiar faces here. Mary Holland as Steph’s best friend Martha was a great addition whereas Sam Richardson as Seth and Zoë Chao as Tiffany threw me back to when they starred in The After Party together. There was also heartthrob Justin Hartley who portrayed Steph’s ex boyfriend Blaine and Chris Parnell who starred as her dad Jim.

Senior Year is one of those movies where you know exactly what you are signing up for. You may also know how it is going to end. That still doesn’t stand in the way of you smiling, laughing and enjoying yourself anyway.

Rating: ♥♥♥

Along For The Ride

Based on the novel by Sarah Dessen, Along For The Ride is a coming of age story. It’s the summer before college and Auden (Emma Pasarow) has moved in with her father (Dermot Mulroney), his trophy wife (Kate Bosworth) and their new baby in the quaint beach town of Colby. When Auden finds that she can’t sleep, she stumbles upon Eli (Belmont Cameli), a fellow insomniac. The two decide to embark on a nightly quest filled with all the things Auden missed out on growing up.

Having never read the book, I was curious about the movie from the moment I saw it on Netflix. I liked the idea of two people who are seemingly complete opposites coming together in the dead of the night to knock off items from a bucket list while falling in love in the process.

A big sell for me here was it’s cast. Although I wasn’t familiar with either Pasarow or Cameli, I thought they did a good job in their roles of Auden and Eli. They brought great chemistry to their characters’ relationship. Dermot Mulroney has always been easy on the eyes and it was a pleasant surprise to see Kate Bosworth in something again. I used to be a big fan of hers back in the early 2000s. With Andie MacDowell as Auden’s mother, it was pretty well rounded.

Another aspect I loved was the portrayal of female friendships. Auden becoming close with Maggie (Laura Kariuki), Leah (Genevieve Hannelius) and Esther (Samia Finnerty) was a joy to watch. We need more of this! I also loved the relationship between Auden, her mother and her stepmother. And how could I leave out the aesthetically pleasing pastel colored beach vibes?

Overall, Along For The Ride was a cute film that fans of the teenage romance genre will enjoy. It wasn’t anything groundbreaking and pretty predictable, but it serves as a great summer flick.

Rating: ♥♥.5

The Adam Project

The Adam Project follows Adam Reed, (Ryan Reynolds) a fighter pilot from 2050 who accidentally crash lands in 2022 instead of 2018 while time traveling and stumbles upon his younger self (Walker Scobell). Together, they team up to find their father Louis (Mark Ruffalo), the creator of time travel and the only person who can stop his partner Maya Sorian (Catherine Keener) from furthering altering the timeline forever.

I was under the impression that Ryan Reynolds was taking a break from acting, yet here we are. While he once again played another version of himself, I have to say that I wasn’t bothered by it this time around. His jokes were all on point. I also really loved the camaraderie he had with Walker Scobell. That young man has such a future ahead of him. He embodied everything about Reynolds and had it down to a T.

Unfortunately some of the other cast were underused. It would have been nice to have more scenes with Adam’s mom Ellie (Jennifer Garner) and his wife Laura (Zoe Saldana). I would have loved to know more about them.

Boasting plenty of CGI, fight scenes and time travel, The Adam Project is a fun film for the whole family to enjoy. It is very much what you see is what you get. It’s not something I will run back to watch anytime soon, but I appreciated it for what it was. The family dynamics added a little something extra that made it worth while.

Rating: ♥♥♥

The Weekend Away

Based on the novel by Sarah Alderson, The Weekend Away is about best friends Beth (Leighton Meester) and Kate (Christina Wolfe) who meet up in Croatia for a girl’s trip. Beth has just had a baby while Kate is going through a divorce. After a crazy night of partying, Beth wakes up and discovers that Kate is missing. She’s not answering her phone, her purse has disappeared and the police don’t seem concerned. With the help of Zain (Ziad Bakri), Beth races against time to piece together what happened, with each clue becoming more deceptive than the last.

When I heard that Netflix was coming out with a new book to movie adapation, I raced to buy it. I always try to read the book before the movie and let’s be real, most of the time the former is better than the latter. I devoured it in one sitting and was completely swept up in the story; surely there was no way the movie would be done justice. I just wish I hadn’t been right about that.

My first problem with the film was the acting. It was subpar at best. Even Leighton Meester who I’m a big fan of wasn’t able to save it. There weren’t any standout performances and some of the characters lacked depth. At least we had the beautiful Croatian background to keep us happy.

For the most part, I have to admit that the movie hit the most important plot points. It drove me crazy that they changed the main character’s name and the initial location, but I digress. Where it all went wrong was during the climax. That final twist is make or break for me and I really don’t like what they did with it here. It changed my whole outlook.

Overall, The Weekend Away was fine, but if I’m being honest, you are probably better off reading the book. I promise it is so much more worth it.

Rating: ♥♥

The Royal Treatment

Outspoken Izzy (Laura Marano) runs her own salon in New York City and dreams of one day leaving her life behind to travel the world. Prince Thomas (Mena Massoud) is about to marry the woman (Phoenix Connolly) his father (Paul Norell) and stepmother (Teuila Blakely) have chosen for him. When Izzy has the chance to do the hair for the royal wedding, sparks between her and the prince while learning that it is okay to follow your heart every once in awhile.

Giving off major A Christmas Prince meets The Princess Switch vibes, The Royal Treatment was a cute story about being true to yourself regardless of what your family and society thinks. I like how headstrong Izzy was and how she helped bring Thomas out of his shell. I was rooting for them from their very first meeting at the LaMott Hotel. The chemistry could have been stronger, but I was all for that scene in the wheelbarrow.

Unfortunately, there wasn’t much else to enjoy here. The plot lacked substance and I felt like the story dragged at times. Had it been fleshed out some more, I think it would have been much better. Laura Marano’s accent was overdone and grated on my nerves. I also couldn’t believe that I was watching Mena Massoud as the prince. I guess he really has been struggling to find work since Aladdin.

Overall, the movie was fine, but that’s about it. If I’m being honest, I expected to enjoy it the same way I do the above mentioned titles and couldn’t help but feel rather disappointed with the outcome.

Rating: ♥♥

Brazen

Popular mystery novelist Grace (Alyssa Milano) is busy on tour for her latest hit when she receives a phone call from her sister Kathleen (Emilie Ullerup) asking for her help. What Grace doesn’t know is that in addition to teaching at a fancy private school, Kathleen moonlights as a webcam performer, hoping the extra funds will aid her in the nasty custody battle she is facing with her ex (David Lewis). But when Kathleen is brutally murdered one night, Grace finds herself sucked into the case, as if one of the storylines of her books is playing out in front of her. Teaming up with investigator Ed (Sam Page) and his partner Ben (Malachi Weir), they race against time to find the killer before he strikes again.

Based on the book by Nora Roberts, Brazen didn’t exactly scream amazing to me, but I was still curious about it. I’m a fan of thrillers and the plot for this actually sounded interesting enough. It also wasn’t completely predictable and I didn’t see the twist coming from the very beginning.

That being said, there wasn’t anything special about it. The cast were decent enough with some familiar faces, but the acting seemed dull and without very much passion. Grace and Ed were cute, despite the blurred lines of her getting involved in the case. I did like Ben’s character and I appreciated how the police captain (Alison Araya) was female.

While Brazen is not a film I would rush to watch again anytime soon, it wasn’t as bad as I was expecting. It more or less kept me engrossed the whole way through and the build up had a proper pay off. I do think it could have been so much better though.

Rating: ♥♥